THE DOCTOR WEST END

For the Almeida: Mary Stuart (also West End); Hamlet (also West End and BBC2); Uncle Vanya; Oresteia (also West End); The Fever ; Mr Burns; 1984 (co-created with Duncan Macmillan; also Broadway, West End, National and International tours).

Theatre includes: Oedipus (Toneelgroep Amsterdam); Boys; Romeo and Juliet (Headlong).

Robert is Associate Director at the Almeida. Elsewhere his recent work includes The Crucible (Theater Basel), Oedipus (Toneelgroep Amsterdam and runs at Edinburgh International Festival this summer) and Orestie (Schauspiel Stuttgart, awarded the Kurt-Hübner-Regiepreis). He is a fellow of the Royal Society of Literature, has won the UK Theatre Award, the Critics’ Circle Award and the Evening Standard Theatre Award for Best Director, and is the youngest ever winner of the Olivier Award for Best Director.

For the Almeida: Hamlet (also West End); Mary Stuart (also West End); Oresteia (also West End);The Goat, or Who is Sylvia? (also West End); Richard III; Uncle Vanya; Rosmersholm.

Theatre includes: Antony and Cleopatra; Waste; A Taste of Honey; Scenes from an Execution; After The Dance; Harper Regan; The Hour We Knew Nothing of Each Other; The Hothouse; Therese Raquin; Exiles; Iphigenia at Aulis; The Merchant of Venice; Richard II; King Lear (National Theatre); Primo (National Theatre/ Broadway); Consent (National Theatre/ West End); Oedipus (Toneelgroep Amsterdam); Teddy Ferrara; Roots; Trelawny of the Wells (Donmar); Mood Music; Cause Celebre; All About My Mother; Richard II (Old Vic); The Seagull (Royal Court/ Broadway); Now or Later; Krapp’s Last Tape; Terrorism; Blasted (Royal Court); My Name is Rachel Corrie (Royal Court/ New York); Electra (RSC); The Jewish Wife (Young Vic); Good People; Passion Play; Old Times; Blithe Spirit; The Misanthrope; Hedda Gabler; The Crucible; The Master Builder (West End); Top Hat (West End/ World Tour); The Sunshine Boys (West End/ Ahmanson Theatre, Los Angeles); Arcadia (West End/ Broadway).

Opera includes: productions at Edinburgh International Festival, Santa Fe Opera, La Scala Milan, English National Opera, Scottish Opera, Glyndebourne, Opera North, Munich Staatsoper, Amsterdam Musiktheater, Sydney Opera House, Paris Opera and most recently, The Exterminating Angel for Salzburg, ROH and The Met.

Film includes: Primo; Krapp’s Last Tape; Richard II; Hedda Gabler.

She received an Olivier Award for her design of After the Dance, and also won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.

For the Almeida: Hamlet; Oresteia.

Theatre includes: The Deep Blue Sea; The Chalk Garden; The House They Grew Up In (Chichester); We Are Here (La Mama New York); Allelujah! (Bridge Theatre); The American Clock; Sylvia (Old Vic); Oedipus (Toneelgroep Amsterdam); The Duchess of Malfi (RSC); Belleville (Donmar Warehouse); The Cane; Bad Roads; Mistress Contract; Fireworks (Royal Court); 1984 (West End/ Broadway); Strapless (Royal Ballet); Sunset at the Villa Thalia; Statement of Regret (National Theatre); Happy Days (Sheffield Crucible); Green Snake (National Theatre of China); The Radicalisation of Bradley Manning (National Theatre of Wales); Macbeth (Broadway); 27; The Wolves in the Walls and Home (National Theatre of Scotland); Sunday in the Park with George (West End).

Natasha’s awards include an Olivier Award nomination 2016 for Oresteia (White Light Award for Best Lighting Design); UK Theatre Award 2011 for Happy Days (Best Design); Olivier Award 2007 for Sunday in the Park with George (Best Lighting Design).

For the Almeida: The Wild Duck; Hamlet (also West End); Oresteia (also Trafalgar Studios); Mr Burns; 1984 (also West End/ Broadway).

Theatre includes: The End of History; Pah-La; The Woods; Love Love Love (Royal Court); Our Town (Regent’s Park Open Air Theatre); All About Eve (West End); Hexenjagd (Theater Basel); The Madness of George III (Nottingham Playhouse); Home, I’m Darling (National Theatre/Theatr Clwyd); Oedipus (Toneelgroep Amsterdam); Fanny and Alexander; The Lorax (The Old Vic) Hedda Gabler; Sunset at the Villa Thalia; The Red Barn; People; Places and Things (National Theatre/ West End); A View From the Bridge (Young Vic/West End); Life of Galileo; Happy Days; A Season in the Congo, Disco Pigs (Young Vic); Les Miserables (Wermland Opera, Sweden); The Crucible (Broadway); Anna Karenina (Manchester Royal Exchange); The Moderate Soprano, Elephants (Hampstead Theatre); White Devil, As You Like It (RSC); Translations, Plenty (Crucible Theatre); The Absence of War, Romeo & Juliet (Headlong); Lion Boy (Complicité); Henry IV; Julius Caesar (Donmar Warehouse); Grounded (Gate Theatre);The Spire (Salisbury Playhouse); London; The Angry Brigade; Wasted (Paines Plough); Roundabout Season (Shoreditch Town Hall/ Paines Plough); The Rover (Hampton Court Palace); Dead Heavy Fantastic (Liverpool Everyman).

Tom received the 2016 Olivier Award for Best Sound Design for Places and Things.

For the Almeida: Three Sisters; The Wild Duck; Machinal; The Writer; Summer and Smoke (also West End); The Twilight Zone (also West End); The Treatment; Hamlet (also West End); Mary Stuart (also West End); Oil; Uncle Vanya; Medea; Oresteia (also West End); Game; Mr Burns; Chimerica (also West End); Before the Party; The Turn of the Screw; King Lear; Children’s Children; Filumena; The Knot of the Heart; Through a Glass Darkly; Measure for Measure; When the Rain Stops Falling; In a Dark Dark House; The Homecoming; Nocturne; Awake and Sing!; Dying for It; Out of the Fog.

Theatre includes: Harry Potter and the Cursed Child (Palace Theatre/ Lyric Theatre Broadway); All About Eve (West End); The Inheritance (Young Vic/ West End); The Jungle (Young Vic/ West End/ New York/ San Francisco); Yerma (Young Vic/ Park Ave Armory); A View from the Bridge (Young Vic/ West End/ Broadway); A Doll’s House (Young Vic/ West End/ BAM); Jesus Hopped the A Train; Fun Home; Yellowman; Wings; Life of Galileo; Once in a Lifetime; Blue/Orange; The Trial; Ah, Wilderness!; Man; Happy Days; Public Enemy; The Shawl; Blackta; Wild Swans; After Miss Julie; The Government Inspector; The Glass Menagerie; Joe Turner’s Come and Gone; Annie Get Your Gun; In The Red and Brown Water; Lost Highway (Young Vic); Obsession; Hamlet (Barbican); The Nether; Clybourne Park (Royal Court/ West End); Adler & Gibb; Birdland; The Mistress Contract; Khandan; The Pass; Gastronauts; The Heretic; Get Santa!; Kin; Red Bud; Tribes; Wanderlust; Spur of the Moment; Sucker Punch; Ingredient X (Royal Court); The Events (ATC/ New York); The Golden Dragon; Bad Jazz; A Brief History of Helen of Troy; Martyr(ATC); Six Characters in Search of an Author (Chichester Festival Theatre/ West End/ Sydney Festival); Pool (no water) (Frantic Assembly); Gaddafi: A Living Myth (English National Opera); Othello (Cheek by Jowl); The Girl on the Sofa (Edinburgh International Festival/ Schaubuhne Theatre, Berlin).

Film and TV includes: Hamlet; Why It’s Kicking Off Everywhere; The Trial: A Murder in the Family; The Exception; Departure; Astoria; Adha Cup; Parliamo Glasgow; Harvest.

For the Almeida: Medea; Ink; The Twilight Zone; Filomena.

Theatre includes: Company (Gielgud Theatre); The Birthday Party (The Harold Pinter Theatre); Angels in America; Oslo; Peter Gynt (National Theatre); Good People; Wonderland; Hapgood; Jude (Hampstead Theatre); Sunny Afternoon (Hampstead Theatre/ West End/ UK Tour); As You Desire Me (Playhouse Theatre); King Lear; The Winslow Boy (Chichester Festival Theatre); Shakespeare Trilogy; Closer; Philadelphia Here I Come (Donmar Warehouse).

Opera includes: Vanessa; The Rape of Lucretia; La Boheme; St Matthew Passion (Glyndebourne); Agrippina; Orfeo; Salome; Alcina; Child of our Time; Trojans; Ernani; The Mikado; Don Giovanni (English National Opera/ Basel/ Oslo); Cosi Fan Tutte (ENO – Barbican).

Deborah studied Fashion Design at Central St Martins College of Art and then worked in fashion before being lured into the theatre. She has worked as a Costume Designer, Associate Designer and Supervisor in both opera and theatre.

Hannah is a multi-instrumentalist (drums, bass guitar, guitar and keyboard) music producer and entrepreneur. She studied Music Performance and Production at the London Centre of Contemporary Music and Berklee Music College in Boston USA. She has performed at several top music venues including Wembley Stadium and Jazz Café. Her versatility has seen her play music genres from punk rock, jazz to hip hop and is the founder of the music company Adlib Music Ltd. Hannah is currently producing and playing music with various music and theatre companies including Streets Music.