The Twilight Zone

For the Almeida: The Serpent’s Tooth.

Theatre includes: A Raisin In The Sun (Sheffield Crucible); Mouthful (Trafalgar Studios); Moon on a Rainbow Shawl (National Theatre); Powder Monkey (Royal Exchange Theatre); The Boy from Centreville (Edinburgh Fringe Festival)

Television includes: Call the Midwife; Save Me; The Strike Series – Cuckoo’s Calling; Chewing Gum; Doctor Who; Lewis; The Missing; Doctors; Dirk Gently; My Almost Famous Family

Film includes: Backdraft II; Lake Placid: Legacy; I Give It A Year; The Decoy Bride

Theatre includes: Wasted (Southwark Playhouse); Tryst (Tabard Theatre); Funny Girl (UK Tour); Cinderella (London Palladium); American Idiot ; The Boy Who Fell Into a Book ; Chess (Union Theatre); Snow White (Old Vic Theatre and Tour); Come Dancing (Theatre Royal Stratford East); Lend Me a Tenor (dir. Ian Talbot, Gielgud Theatre); I Was Looking at the Ceiling and Then I Saw the Sky (Theatre Royal Stratford East); Spring Awakening ( Lyric Hammersmith and Novello Theatre); Funny Girl (Menier Chocolate Factory & The Savoy Theatre).

Workshop credits include: The (M)other Life (West End); Peter Pan (Lyric Theatre); Crush (Harold Pinter).

Concert credits include: Girlfriends (Bishopsgate Institute); Mack & Mabel (Hackney Empire).

Television includes: Doc Martin; Doctors.

Radio includes: The Day I Finished off Charlotte Bronte; The Wonderful World of Allaetitia; Alice Through the Looking Glass.

Natasha’s debut album ‘Real’ was released by Sony Music earlier this year. For more information visit – http://www.natashabarnesmusic.com

For the Almeida: The Twilight Zone.

Theatre includes: Dick Whittington and his Cat (Oxford Playhouse); Blueberry Toast (Soho Theatre); Charlie and the Chocolate Factory (Theatre Royal Drury Lane); Sound of Music (Malaysia and Original Cast Bronowski Productions/RHB and London Palladium); Matilda (RSC); and Les Miserables (West End).

TV credits include: London Kills, Doctors, Kiss Me First, Call the Midwife, Upstart Crow, Hank Zipzer, Man Down, Silent Witness, The Little House, Casualty, Magic Grandad, Clever vs Stupid, Mr Eleven.

Film includes: Nativity 2: Danger in the Manger.

Theatre includes: Reared (Theatre 503); Singin’ In The Rain (Chichester Festival Theatre/Palace Theatre and Theatre du Châtelet, Paris); Sweet Charity (Manchester Royal Exchange); As You Like It (Shakespeare’s Globe); Accolade; Putting It Together (St. James Theatre); Tonight At 8.30 (Nuffield Theatre/UK Tour); Lizzie Siddal (Arcola Theatre); Me and My Girl; A Chorus Line (Sheffield Crucible) Kiss Of The Spider Woman (Hull Truck Theatre); The Snow Queen (Derby Theatre); Mary Poppins (UK Tour); Abigail’s Party (Northcott Theatre); Modern Dance For Beginners (Etcetera Theatre); Twelfth Night (West Yorkshire Playhouse); Roast Chicken (Hen and Chickens Theatre); I Really Must Be Getting Off (White Bear Theatre); Love’s Labour’s Lost; Anything Goes (National Theatre); Dorothy Fields Forver (Jermyn Street Theatre); Hello Dolly; Romeo and Juliet; As You Like It; Oh! What A Lovely War; Love’s Labour’s Lost; Desires Of Frankenstein; A Midsummer Night’s Dream; Where’s Charley (Regent’s Park Open Air Theatre); Fosse (West End); BoyBand (Derby Playhouse / West End); Chicago; Fame; Cats (West End); Song and Dance (European Tour).

Television includes: Chernobyl; The Royals; Doctors; Heartbeat; The Last Enemy; Coronation Street.

Film includes: The Reunion; Working Lunge; The Borghild Project; Soundroom.

Theatre includes: Richard III (Rose Theatre York); Right Now (Theatre Royal Bath/Bush Theatre); Candylion and Praxis Makes Perfect (National Theatre Wales); The Harvest (Soho Theatre); Titus Adronicus (Shakespeare’s Globe); Fortunes Fool (The Old Vic); Too Clever By Half (Royal Exhange); Ahasverus, Hamlet, Little Eagles, Romeo & Juliet, Morte D’arthur, The Drunks, The Comedy of Errors, Six Characters in Search of an Author and As You Like It (RSC).

Television includes: A Very English Scandal; Requiem; Yr Oedi; Hinterland; Caerdydd; A470; Rownd & Rownd; Pen Tennyn’; A470.

Film includes: The Library Suicides; The Passing; Pride; I Know You Know; The Baker; Oed Yr Addewid.

For the Almeida: The Twilight Zone.

Theatre includes: A Christmas Carol (Bristol Old Vic); World Cup 1966 (Bristol Old Vic); The Trial (Young Vic); Increased Difficulty of Concentration (Gate Theatre); Ether Frolics (Sound & Fury/SHUNT, UK Tour); Richard III (Third Party Theatre Co. UK Tour); What The Dickens (Gonzo Moose Theatre Co. UK Tour); Angels of the Universe (Edinburgh/Gate London); The Summer House (Gate London); Cyrano (Cartoon De Salvo Theatre Co); Meat&2Veg (Battersea Arts Centre); Hard Hearted Hannah (Lyric Hammersmith/Kennedy Centre Washington DC); Made Up (Soho Theatre); The Rat-Catcher of Hamelin (BAC); The Irish Giant (Southwark Playhouse); Pub Rock (Lyric Hammersmith).

Television includes: Mermaids; The Bill; Casualty; Doctors; No Angels; Dalziel & Pascoe.

Theatre includes: The Comedy of Errors (RSC); Macbeth (National Theatre); The Arabian Nights (Lyceum, Edinburgh); A Tale of Two Cities (Regent’s Park Open Air Theatre); The Kite Runner (West End/Nottingham Playhouse/Liverpool Playhouse); Any Means Necessary (Nottingham Playhouse); An Oak Tree, Everyman, War Horse and Macbeth (National Theatre of Great Britain); Lardo (Old Red Lion); The Hairy Ape (Old Vic); Titus Andornicus (Shakespeare’s Globe); Damascus Aleppo (Oran Mor/Traverse Theatre/National Theatre of Scotland); Game of Life (The Yard Theatre); Outward Bound (Finborough Theatre); The Double (Theatre Royal Bath); The Fear of Breathing (Finborough Theatre); The Pearl Fisher/Nova Scotia (Traverse theatre); and Mother Courage(Benchtours).

Film includes: Billy Boys; Double Trouble

Nicholas trained at Rose Bruford College, London.

Theatre credits include: Reasons to be Happy (Hampstead Theatre); Richard III (Ambassadors Theatre Group); This House (National Theatre/Garrick Theatre); Bianca and Travelling Light (National Theatre); King Lear (BAM, New York, and Chichester Festival Theatre); and Black Comedy and The Real Inspector Hound (Edinburgh Fringe Festival).

Television includes: London Kills; Father Brown; Midsomer Murders; Bugsplat!; No Offence; Silent Witness; PhoneShop; Law & Order UK; The Bill; Lewis; Being Human.

Film includes: Property of the State; The Domino Effect; Deadly Descent.

Theatre includes: A Midsummer Night’s Dream (Young Vic); Britain’s Best Mates (Edinburgh Fringe); Shades (West End); The Steppe Brothers (Edinburgh Fringe); Out of the Blue (Liverpool Everyman); The Changeling (BAC); My Love DMZ (Rose Kingston); Immortal (Courtyard); Hamlet (UK Tour); Richard III (UK Tour); Hamlet (Barbican and cinemas).

Television includes: Agatha Christie’s Partners in Crime; Les Misérables; The Crown; The Queen & I; Black Earth Rising; Informer; Wild Bill; The Last Kingdom; Cider With Rosie; Outlander; New Tricks; Siblings; Silent Witness; Misfits; Utopia; Count Arthur Strong; Drunk History; Drifters; Crackanory; The Café; Big Babies; The Royal; Summerhill; EastEnders; Black Hearts In Battersea; Mud; An Exchange of Fire; The Bill; Casualty.

Film includes: Cinderella; Urban Hymn; Ilkley; SuperBob; Criminal; ABC’s of Death 2; Basil; Spies; Proto; Black Shore.

Matthew co-wrote and starred in the Comedy Central series Britain's Best Mates. He also co-wrote and appeared in The Summer House (The Gate) with Will Adamsdale & The Twilight Zone’s Neil Haigh, and collaborated with Will Adamsdale again on The Victorian in the Wall (Royal Court, then BBC Radio). He is currently developing a six-part comedy series with actor Alex Macqueen.

For the Almeida: Shipwreck; The Twilight Zone; Mr Burns.

Theatre includes: 10 out of 12 (Soho Rep, NYC); Antlia Pneumatica (Playwrights Horizons, NYC); The Communist Dracula Pageant (ART, Boston); A Devil at Noon (Actors Theater of Louisville, Kentucky); I Have Loved Strangers (Clubbed Thumb Summerworks, NYC); The Internationalist (13P, NYC); The Ladies (The Civilians, NYC); The Small (Clubbed Thumb Summerworks, NYC); Orestes (The Folger, Washington D.C.); Iphigenia In Aulis (Classic Stage Company, NYC).

Anne’s awards include a Guggenheim, an Alpert, and a Laura Pels for an artist in mid-career. Anne is an associated artist with The Civilians, Clubbed Thumb, New Georges, and is an alumna of New Dramatists and 13P.

For the Almeida: The Twilight Zone.

Theatre includes: Too Clever By Half; The Illusion; A Flea in Her Ear; The Hairy Ape (Old Vic); Six Characters Looking for an Author; Hobson’s Choice; The Good Soul of Szechuan; Annie Get Your Gun; The Government Inspector; Public Enemy; The Trial (Young Vic); Into The Woods (Phoenix Theatre); Black Snow (American Repertory Theatre); All’s Well that Ends Well (Public Theater); La Bête; Wrong Mountain (Eugene O’Neill Theater); Titanic (Lunt Fontaine Theater); Holy Mothers (Ambassadors Theatre/Royal Court); Le Bourgeois Gentilhomme; Tales from the Vienna Woods (National Theatre); A Midsummer Night’s Dream (Royal Shakespeare Company/Yale/Salamanca Festival); Rumpelstiltskin (Birmingham Contemporary Music Group/Spitalfields Festival).

Opera includes:Boris Godunov; Der Ring des Nibelungen; Lady Macbeth of Mtsensk; L’heure Espagnole and Gianni Schicchi; The Gambler; Anna Nicole; Il Trittico; Gloriana (Royal Opera House); The Plumber’s Gift; The Love for Three Oranges; Die Fledermaus; Pelleas and Melisande; From Morning to Midnight; Lulu; The Trojans; Cavalleria Rusticana and Pagliacci; The Bitter Tears of Petra von Kant; The Tales of Hoffmann; Julietta; Rodelinda; The girl of the golden West (English National Opera/Santa Fe Opera); Hansel and Gretel; The Queen of Spades; Wozzeck; Die Meistersinger von Nuremberg (WNO/English National Opera); Skin Deep (Opera North Leeds); Flight; Macbeth; Falstaff; Der Rosenkavalier (Glyndebourne); Julius Caesar; The Midsummer Marriage; Lohengrin; Hansel and Gretel (Munich); Ariodante (Aix-en-Provence Festival/Nationale Opera & Ballet in Amsterdam); L’enfant et les Sortilèges; Der Zwerg; Julietta (Paris Opera); Peter Grimes (La Scala Milan); Hansel and Gretel (Metropolitan Opera New York); The Makropulos Case; Billy Budd (Frankfurt Opera); Mazeppa; Der fliegende Holländer; Jenufa; The Cunning little Vixen; Billy Budd (Amsterdam Opera); Wozzeck (Komische Opera Berlin); Un ballo in maschera; La Boheme (Bregenz Festival).

In theatre he has been awarded Olivier Awards for Too Clever by Half and Into the Woods the Evening Standard Award as best director for The Illusion. He was nominated for a Tony Award for La Bête on Broadway. He has been awarded 3 Olivier Awards in opera - for Hansel and Gretel, Lady Macbeth of Mtsensk and for The Mastersingers of Nuremberg - this production was also awarded a South Bank Show Award. He was given the Evening Standard Award for outstanding artistic achievement for his production of Wagners Ring. His recent production of The Hairy Ape was nominated for 6 Drama Desk nominations.

Richard was appointed CBE in the 2015 New Year’s Honours list.

For the Almeida: The Twilight Zone.

Projects with Richard Jones include: Don Giovanni; The Meistersingers Of Nuremberg; Lulu (ENO); Der Rosenkavalier (Glyndebourne Festival); Wozzeck (Komische Oper Berlin).

Other opera includes: Semiramide; Falstaff; Der Rosenkavalier; La Calisto (ROH); Billy Budd; Peter Grimes (ENO); L’Orfeo; Arabella (Opera North); Turandot (WNO); M Butterfly; Der Rosenkavalier (Metropolitan Opera); Tristan and Isolde (Karlsruhe); Pyramus and Thisbe/Il Combatimento di Clorinda e Tancredi (Canadian National Opera).

Other international credits include productions in Paris, Tokyo, Amsterdam, Moscow, Copenhagen, Tel Aviv, Frankfurt, Houston, Munich, Oslo, Chicago, Basel, Cologne, Geneva, Barcelona, Vilnius, San Francisco, Düsseldorf, Antwerp, and Washington, DC.

Paul teaches Stage Design at the NYU Tisch School of the Arts, NYC.

For the Almeida: The Twilight Zone.

Theatre includes: Billy Elliot the Musical (International Tour); Once in a Lifetime; Measure for Measure; The Trial; Public Enemy; Hamlet; Government Inspector; Vernon God Little; Annie Get Your Gun; The Good Soul of Szechuan; King Lear; Six Characters in Search of an Author (Young Vic); Angels in America; Everyman; The Seagull; A Little Night Music; Mother Clapp’s Molly House; Tales from the Vienna Woods (National Theatre); Jumpers (National Theatre/West End/Broadway); Powerbook (National Theatre/Paris/Rome); In Basildon (Royal Court); The Tempest; A Midsummer Night’s Dream; La Lupa (RSC); By the Bog of Cats (West End); Camille (Lyric Hammersmith); Proverb (Royal Ballet).

Opera and dance includes: Don Giovanni (dir Richard Jones); La Fanciulla Del West; Rodelinda; The Magic Flute; Cavalleria rusticana /Pagliacci; Don Giovanni (dir Rufus Norris); Turk In Italy; Boris Godunov; Pelleas and Melisande; Peter Grimes (English National Opera); Wind in the Willows (ROH/West End); Anna Nicole (Brooklyn Academy of Music); Boris Godunov; Il Trittico; Anna Nicole; The Gambler; Lady Macbeth of Mtsensk (Royal Opera House) ; Queen of Spades (Royal Opera House/Naples/Geneva); Die Zauberflote (Netherlandse Opera/Festival D’Aix-En-Provence); Rusalka (Copenhagen/Finland); The Fiery Angel (La Monnaie, Brussels); Pelleas et Melisande (Munich); The Rape of Lucretia; Der Rosenkavalier; Gianni Schicchi; The Miserly Knight; Flight; Don Giovanni (Glyndebourne); La Traviata; Hansel and Gretel (set and costumes), Of Thee I Sing; Pelleas and Melisande; Don Carlos; Wozzeck (Opera North); War and Peace (Paris); Midsummer Marriage (Munich).

Film includes: Institute Benjamenta.

For the Almeida: The Twilight Zone.

Choreographic work includes: The Hairy Ape (Old Vic/Park Avenue Armory, New York); Sweet Charity (Royal Exchange, Manchester); La Traviata (Glyndebourne Festival/UK Tour); Anna Nicole (Royal Opera House/Brooklyn Academy of Music); Drifting and Tilting – The Songs Of Scott Walker (Barbican); The Effect and His Dark Materials (National Theatre);The Wind in the Willows – The Musical (London Palladium/UK Tour); Bend It Like Beckham (Phoenix Theatre); Made In Dagenham (Adelphi Theatre); Jesus Christ Superstar (Lyceum); Jenufa (Opera North); The Tempest (Royal Opera House).

Dance commissions include: The days run away like wild horses; Awakenings; Bloom (Rambert); Maybe Yes Maybe, Maybe No Maybe; Gang of Five (Phoenix Dance Company/UK Tour).

Directing work includes: If You Kiss Me, Kiss Me (Young Vic); La Cenerentola; La Fanciulla del West; Dido and Aeneas; La Voix humaine; Les Noces (Opera North); Carmen (Salzburg Festival); Aladdin (Bristol Old Vic).

Born in London, Aletta studied at the London Contemporary Dance School and was a dancer and choreographer for London Contemporary Dance Theatre. She is a former Associate Artist at the Royal Opera House, where her work included choreographing and directing The Red Balloon, Cocteau Voices and Magical Night in the Linbury Studio Theatre.

Aletta won the Oliver Award for her work on The Tempest.