Mary Stuart

For the Almeida: 1984 (West End); The Odyssey; Oresteia.

Theatre includes: X; Hope (Royal Court); Hamlet (Barbican / NT Live); Dara; Rafta Rafta; England People Very Nice; Playing With Fire (National Theatre); The History Boys (National Theatre / international tour / Broadway); Worst Wedding Ever (Salisbury Playhouse); The Events (Young Vic / UK tour); The Seagull (Headlong / UK tour); Much Ado About Nothing (RSC / Noël Coward Theatre); You Can Still Make a Killing; Tiger at the Gates (NT Studio); The English Game (Headlong); The Fastest Clock in the Universe (Naach Theatre); Tom’s Midnight Garden (Unicorn Theatre); The Geri Project (Oldham Coliseum); Learning Styles (Impact Theatre Company); Anorak of Fire; The Tempest (Adelphi Studio Theatre); E to the Power of 3; The Dispute (Robert Powell Theatre).

Television includes: Casualty; Doctor Who; Coronation Street; Hollyoaks; New Tricks; The Bill; Cutting It.

Film includes: Fantastic Beasts and Where to Find Them; Britz.

Radio includes: The Events; Tommies; Love Lies Sleeping; The Shape of Things.

Rudi trained at the National Youth Theatre.

Theatre includes: Laughton (Stephen Joseph Theatre); This House (National Theatre); That Day We Sang (Manchester International Festival)); All My Sons (Oxford Stage Company); The Changeling; The Marriage of Figaro; (Harrogate Theatre); The Winter's Tale; Coriolanus (English Shakespeare Co).

Television includes: Decline and Fall; Fail; Happy Valley 2; The Artist; Bugsplat; Cucumber; Banana; Tubby and Enid; Jonathan Strange & Mr Norrell; Grandma's House; The Wrong Mans; Twenty–Twelve; Being Human; Doc Martin; No Holds Bard; Fairy Tales: Empress' New Clothes; Oliver Twist; Never Better; The Thick Of It; Lead Balloon; The Life & Times Of Vivienne Vyle; Five Days; Elizabeth - The Virgin Queen; Casanova; Hustle II; The Worst Week Of My Life; Green Wing; Wild West; Sir Gadabout; Chambers; The Office; People Like Us; The Infinite Worlds Of H.G. Wells.

Film includes: I Do; Mr Turner; The Riot Club; Bright Star; Expresso; The Illusionist; Confetti; Vera Drake; Bonkers; The Bourne Identity; From Hell; Topsy-Turvy; The Woodlanders.

Theatre includes: Here We Go; Light shining in Buckinghamshire; Treasure Island (National Theatre); The War Has Not Yet Started (Theatre Royal Plymouth); Platanov; The Seagull (Chichester Festival Theatre/National Theatre); Fathers and Sons (Donmar Warehouse); Wolf Hall; Bring Up the Bodies (Royal Shakespeare Company); The Ritual slaughter of Gorge Mastromas; No Quarter; Love and Information (Royal Court); Gabriel; The Tempest (Shakespeare’s Globe).

Fil includes: The Darkest Hour; Criminal; Summer in February.

Television includes: Call the Midwife; Utopia; Whites; Identity; Silent Witness.

Theatre includes: Pigeon English (Bristol Old Vic / Edinburgh Festival Fringe); Romeo and Juliet (Riverside Studios); Ghosts (Theatre Bankside).

David graduated from RADA in spring 2016.

For the Almeida: Carmen Disruption; The Master Builder; Certain Young Men; The Cenci; The Tower.

Theatre includes: The Winter’s Tale; A Midsummer Night’s Dream; A Life Of Thomas Paine (Shakespeare’s Globe); Three Days in the Country; The Night Season (National Theatre); Taken at Midnight (Chichester Festival Theatre / Theatre Royal Haymarket); The Blackest Black; The Giant; My Boy Jack (Hampstead Theatre); Julius Caesar (Chicago Shakespeare Theatre); Thom Pain (The Print Room); Luise Miller (Donmar Warehouse); Apologia; Clocks And Whistles (Bush Theatre); Hedda Gabler (Gate Theatre, Dublin); Julius Caesar; The Tempest; The Seagull; In The Company Of Men; A Patriot For Me (RSC); Singer (The Tricycle).

Television includes: Mars; Maigret; Father Brown; Atlantis; WPC56; Endeavour; Silk; Dresden; North & South; Cambridge Spies; Lloyd And Hill; Band Of Brothers; Love in a Cold Climate; Aristocrats; Cider With Rosie; The Jump; The Unknown Soldier; Holding On; Cold Lazarus.

Film includes: Agent Hamilton; Albert Nobbs; Scoop; Partition; Heights; Lion In Winter; Benedict Arnold; The Good Pope; Dk2; Trance; Purpose; Investigating Sex; 5 Seconds To Spare; A Rather English Marriage; Mrs Pollifax; Wavelengths.

John was nominated for an Olivier Award for Taken at Midnight.

Theatre includes: Del Gesu's Viola; It's Only Words (Oran Mor); Every One (Battersea Arts Centre); I Killed Rasputin (Avalon / George Square Theatre); I Didn't Always Live Here (Finborough Theatre); All About My Mother (Old Vic); Buried Child (Upstairs At The Gatehouse); A Chorus of Disapproval (Theatr Clywd); End Game (Donmar Warehouse); Lobster/Vantastic (Oval House Theatre/Natasha Davis); Talking Heads (Theatre Royal Bury St.Edmunds); Misery (Milestone Productions); Cutting a Rug (Young Vic Theatre); The Wizard Of Oz (Macrobert Theatre); The Hardy Tree Experiment (Off The Cuff Theatre); Revengers Tragedy (Cambridge Theatre Company); American Bagpipes (Royal Court); Request Programme (Bush Theatre); Through The Leaves (Traverse Theatre / Bush Theatre); The Importance of Being Earnest (Salisbury Theatre); Juno and the Paycock (Royal Lyceum Theatre, Edinburgh); The Glass Menagerie (Red Rose Studio); Elizabeth Gordon Quinn (Traverse Theatre); The Queen of Lucky (Oran Mor / Traverse Theatre).

Television includes: Broken; Midwinter of the Spirit; Law & Order: Dawn Til Dusk; Half Broken Thing; Widow Maker; The Bill; Doctors; Between The Lines; Dr Finlay's Casebook.

Film includes: Blackwood; The Quiet Ones; The Wee Man; Estranged; The Child;Late Bloomers; The Bomber; Trainspotting; Regeneration; Mr Corbett's Ghost.

Theatre includes: Richard III (New Diorama); Mother Courage (Nottingham Playhouse); Cain (RSC); The House of Bernarda Alba; (Brixton Shaw Theatre / Greenwich Theatre) Trouble In Mind; Fabulation; Gem of the Ocean; Walk Hard - Talk Loud; The Owl and the Pussycat (Tricycle Theatre); Amen Corner; (Tricycle Theatre / West End); Period of Adjustment (Royal Court / Wyndham’s Theatre); El Dorado; Strange Fruit; The Blacks (Stratford East).

Television includes: The Dumping Ground; Final Passage; Great Moments in Aviation History; The Chain; Song at Twilight; The Wasted Years; Desmond; Crown Court; Mixed Blessings; Playschool; General Hospital; The Fosters.

Carmen was awarded the OBE in 2007 for her major role in the development of black theatre in Britain. She was nominated for the TMA Best Actress Award for her role in Mother Courage, and she was also the recipient of the Time Out Best Actress Award for Trouble in Mind.

For the Almeida: 1984 (West End).

Theatre includes: Pericles; The Winter’s Tale; King John; Tis Pity She’s a Whore; Anthony and Cleopatra; Holy Warriors (Shakespeare’s Globe); Oedipus (Nottingham Playhouse / Spoleto Festival); Ignorance (Hampstead Theatre); Blue Remembered Hills (Chichester Festival Theatre); The Bomb (Tricycle Theatre); The Great Game (Tricycle Theatre / US tour / Pentagon performances); Sixty Six Books (Bush Theatre); 'The Fever Chart' (Trafalgar Studios / Theatre Royal York); Enemy of the People (Arcola Theatre); All Quiet on the Western Front; Chicken Soup with Barley (Nottingham Playhouse); Shoreditch Madonna; Diamond & Jerusalem Syndrome (Soho Theatre); The Last Sortie (New End / Hampstead Theatre); Seven Sonnets of Michaelangelo (Lyric Hammersmith).

Television includes: The Royals; Game of Thrones; Ambassadors; Our Men; Holby City; Murder on the Homefront; Spooks; Henry - Mind of a Tyrant; The Bill; Casualty; The Roman Mysteries; EastEnders; Money Can't Buy You Love.

Film includes: Lilac's Laughter; Mind The Gap; Two's Company; The Penalty King; Bury It; Susie Gold.

For the Almeida: They Drink It In The Congo.

Theatre includes: The Rolling Stone (Royal Exchange / Orange Tree Theatre); The Suicide (National Theatre); The Odyssey: Missing, Presumed Dead (English Touring Theatre / Liverpool Everyman); Bordergame (National Theatre of Wales); Babes In The Wood (Rainbow Valley Productions); Othello (Fluellen Theatre Company); Rude! A Ska Musical; Heart Of Darkness (Give It A Name); Muscle (Shock n Awe); Serious Money (Waking Exploits); Robinson Crusoe; Aladdin (Owen Money Theatre Company); Do Mice Think Bats Are Angels?; Othello; Victory (UGly).

Television includes: Unforgotten; DNN: Definitely Not Newsround; Stella; The 4 O’Clock Club; Mistresses; Crash; Caerdydd; The Black Lion; Y Pris; Scrum IV: Operation Bobble; Casualty; Doctor Who; Fondue, Sex And Dinosaurs; The Story Of Tracey Beaker; First Degree; Outside The Rules; Rugby Promo; WDA Promos.

Film includes: Indifferent; Ashens & The Quest For The Game Child; Bad Fucking; Half Of A Yellow Sun; The Adventurer: Curse Of The Midas Box; Silent Night, Bloody Night: The Homecoming; The Machine; Elfie Hopkins And The Gammons; Night Of The Living Dead: Resurrection; Panic Button; Rock ‘N’ Roll Killers; Eastern Promises; Daddy’s Girl; Starter For Ten; The ‘I’ Inside.

For the Almeida: The Odyssey; Duet For One (also West End).

Theatre includes: Beckett Shorts (RSC Stratford / Europe); Les Liaisons Dangereuses; As You Like It; Troilus and Cressida; Measure For Measure; A Midsummer Night’s Dream; The Witch of Edmonton; Money (RSC Stratford / Barbican); Henry IV Parts I & II (RSC Stratford Tour); Once In A Lifetime; The White Guard (RSC Aldwych); Hippolytus; Anthony and Cleopatra; The Churchill Play; The Taming Of The Shrew; The Tempest (RSC Stratford); Alice Trilogy; The Country; Other Worlds (Royal Court); The Seagull; Private Lives; Hedda Gabler; Yerma (National Theatre); We Happy Few (Gielgud Theatre); Caucasian Chalk Circle (National Theatre / Tour); The Duchess Of Malfi (Greenwich / West End); Scenes From An Execution (Mark Taper Forum, LA); Death and the Maiden (Royal Court / West End); Burn This (Hampstead / West End); On The Verge (Sadler’s Wells); The Trackers of Exyrhynchtus (National Theatre Studio).

Television includes: Dustbin Baby; Place of Execution; Hear The Silence; The Pact; Trial By Fire; Cider With Rosie; Stone Scissors Paper; The Politician’s Wife; Out Of Love; Stanley; A Doll’s House; Life Story; Antigone; Freud; Bazaar and Rummage; The Mallens; Maybury; Great Journeys: Isabella Eberhardt; Oedipus At Colonus.

Film includes: Desert Flower; The Secret of Moonacre; And When Did You Last See Your Father; Breaking And Entering; Pierrepoint; The Snow Queen; A Previous Engagement; Every Word Is True; Red Mercury Rising; Being Julia; Mona Lisa Smile; Nicholas Nickleby; Food For Love; Bend It Like Beckham; The Search For John Gissing; The Road From Coorain; Play (Samuel Beckett); Emma; A Secret Rapture; Who Dealt; The Trial; Truly Madly Deeply; Drowning By Numbers.

For the Almeida: The Jew of Malta.

Theatre includes: As You Like It; Here We Go; Light Shining In Buckinghamshire; Every Good Boy Deserves Favour; War Horse (National Theatre); The Crucible (West Yorkshire Playhouse); The Ritual Slaughter Of Gorge Mastromas; The President Has Come To See You; Talk Show; Mint; Memory; Stoning Mary; Lucky Dog; Black Milk/Terrorism; Crave; The Local (Royal Court); Krapp’s Last Tape (Hull Truck); A Thousand Stars Explode In The Sky; The Birthday Party (Lyric Hammersmith); A Number (Abbey Theatre, Dublin); Comfort Me With Apples (Hampstead Theatre); The Scarlet Letter; The Sea (Chichester Festival Theatre); Twelfth Night (English Touring Theatre); The Inland Sea (Oxford Stage Co); Casanova (Suspect Culture);The Rib Cage (Royal Exchange Manchester).

Television includes: Father Brown; Doctors; Casualty; The Crown; The Coroner; Sun Trap; The Guilty; Endeavour; Utopia; The Starlings; Doc Martin; Midsomer Murders; Doctors; Luther; Shameless; Vera; Crimson Petal; Holby City; Pulse; Mutual Friends; Spooks; Silent Witness; New Tricks; Innocence; Rome; Heartbeat; Waste Of Shame; Elizabeth The Virgin Queen; Derailed; The Bill; Life Begins; Charles II; Peterloo; Serious and Organised; Paradise Heights; Wire In The Blood; Sirens; Peak Practice; Coronation Street; The Mayor of Casterbridge; Love in a Cold Climate; Badger.

Film includes: The Dreamlike Path; Trespass Against Us; War Horse; London Boulevard; Grow Your Own; Vera Drake; The Life And Death Of Peter Sellers; Le Voyage; Bright Young Things; Heartlands; All Or Nothing; Elephant Juice.

For the Almeida: Oresteia; Celebration / The Room.

Theatre includes: The Father (Theatre Royal, Bath); A Streetcar Named Desire (Gate Theatre, Dublin); Old Times (Harold Pinter Theatre); Arcadia (Ethel Barrymore Theatre, New York); Earthquakes In London; Hot House; Mappa Mundi; King Lear (National Theatre); God Of Carnage (Theatre Royal, Bath / tour); Lady From the Sea (Arcola Theatre); Absurd Person Singular (Garrick Theatre); My Child (Royal Court); Postcards From America; Eric La Rue; As You Like It (RSC); Eccentricities Of a Nightingale ( Gate Theatre, Dublin); The Homecoming ( Gate Theatre, Dublin / West End / New York); The Lover & The Collection (Donmar Warehouse); Skylight (National Theatre / Broadway); Oleanna (Duke of York's Theatre / National Theatre); The Revenger's Comedies (Strand Theatre); Body Language (Stephen Joseph Theatre); Daisy Pulls It Off (Shakespeare's Globe).

Television includes: Midsomer Murders; Secret State; Lewis; Doc Martin; Miss Marple; A Touch of Frost; May 33rd; Sparkling Cyanide; The Lives of Animals; The Russian Bride; Bad Blood; Imogen's Face; A Shot Through The Heart; The Uninvited; Flowers of the Forest; Seaforth; Mr Wroe's Virgins.

Film includes: Jonathan Toomey; Girl From Rio; The King is Alive; Different For Girls; The Fifth Province; Firelight; Dirty Weekend; Las Suite Blanche-Neige.

Radio includes: Wasteland; The Four Quartets; The Faith Healer; The Idiots; The Raj Quartet; Confessions; Easy Virtue; Drop Dead Gorgeous; Small Earthquakes; Redemption; Marblethorpe; Red Room; Seasons' Greeting; Breath of God.

Lia won the Award for Best Actress in The Irish Times Theatre Awards 2014 for her performance in A Streetcar Named Desire.

Robert is the Associate Director of the Almeida.

For the Almeida: Uncle Vanya; The Odyssey; The Illiad; Oresteia (also West End); The Fever; Mr Burns; 1984 (also West End, National and International Tours).

Theatre includes: The Red Barn (National Theatre); Boys; Romeo and Juliet; Decade (Headlong).

For Oresteia, Robert won the ‘Best Director’ Critics' Circle and Evening Standard Theatre Awards in 2015, and the Olivier Award for ‘Best Director’ in 2016. His production of 1984 (which he co-adapted and directed with Duncan Macmillan) won Best Director at the UK Theatre Awards, 'Best Director' at the Liverpool Arts Awards and was nominated for an Olivier Award for Best New Play in 2014.

For the Almeida: Richard III; Uncle Vanya; Oresteia (also West End); Rosmersholm; The Goat, or Who is Sylvia? (also West End).

Theatre includes: Waste; Sunset at Villa Thalia; A Taste of Honey; Scenes from an Execution; After The Dance; Harper Regan; The Hour We Knew Nothing of Each Other; The Hothouse; Therese Raquin; Exiles; Iphigenia at Aulis; The Merchant of Venice; Richard II; King Lear (National Theatre) Primo (National Theatre / Broadway); Good People; Passion Play; Old Times; Top Hat (also world tour); The Sunshine Boys (also Ahmanson Theatre, Los Angeles); Arcadia (also Broadway); Blithe Spirit; The Misanthrope; Hedda Gabler; The Master Builder (West End); Teddy Ferrara; Roots; Trelawny of the Wells (Donmar Warehouse); Cause Celebre; All About My Mother; Richard II (Old Vic); The Seagull (also Broadway); Now or Later; Krapp’s Last Tape; Terrorism; My Name is Rachel Corrie (also New York); Blasted (Royal Court); The Crucible (also West End); Electra (RSC); The Jewish Wife (Young Vic).

Film includes: Primo; Krapp’s Last Tape; Richard II; Hedda Gabler.

Recent Opera includes: The Exterminating Angel (Salzburg Festival / Royal Opera House / The Metropolitan Opera); La finta giardiniera (Santa Fe Opera); La Traviata (Glyndebourne Opera Festival); The Makropulos Case (Edinburgh International Festival / Opera North); The Damnation of Faust (ENO / De Vlaamse / Teatro Massimo / Palermo /Berlin Staatsoper).

Hildegard won an Olivier Award in 2011 for her design of After the Dance and received nominations for Top Hat in 2012 and Oresteia in 2016. She was nominated for the Evening Standard Best Designer Award for Iphigenia at Aulis and won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.

Albums include: Short Movie; Once I Was An Eagle; A Creature I Don’t Know; I Speak Because I Can; Alas I Cannot Swim.

Laura is a globally acclaimed songwriter and guitarist. She has been nominated for the Mercury Music Prize three times.

For the Almeida: Uncle Vanya; Parallax; Rabbits; It Needs Horses; Home for Broken Turns (Lost Dog).

Theatre includes: Islands; The Beloved (Bush Theatre); Oh My Sweet Land; In the Penal Colony; Man (Young Vic); The Communist Bigamist (Hebbel Theatre, Berlin); As You Like It (Curve Theatre, Leicester); Ramayana (Lyric Hammersmith / Bristol Old Vic); Orlando (Vidy Lausanne).

Dance includes: Run Mary Run (by Arthur Pita for Natalia Osipova, Sadler’s Wells); American Man, American Boy; Be Like Water (Hetain Patel); May Contain Food; Border Tales; L.O.L.; Dear Body (Protein Dance Company); The Murmuring; Young Men (The Ballet Boyz); Beheld; Let’s Talk about Dis (Candoco Dance Company); Girl A (Scottish Dance Theatre / Ben Duke); Lunatic (National Dance Company of Wales); Disclose (Introdans Company, Holland).

Music, opera and performance include: The Magic Flute (80WSE NYC / Cheap Kollectiv); True Finn (IHMI Helsinki); Wenn Ihr Wollt Ist Es Traum (Secession Vienna); Recital for Cathy; From Canyons to Stars (Jeffrey Tate / Hamburg Symphony Orchestra); Tutbu TV (Hebbel Theatre); Sante (London Symphony Orchestra).

Jackie has worked internationally in dance, theatre and opera as well as with performance and visual artists. He trained at the Jerusalem School of Visual Theatre.

For the Almeida: Little Revolution; King Charles III (also West End / Broadway); American Psycho (also Broadway); Festen (also West End / Broadway).

Recent theatre includes: Amadeus; The Threepenny Opera; Ma Rainey’s Black Bottom; wonder.land; Behind The Beautiful Forevers; Everyman; London Road (National Theatre); One Man, Two Guvnors (National Theatre / West End / Broadway); Red Velvet (Tricycle Theatre / New York / West End); Skylight (West End / Broadway); The Audience (West End / Broadway); Charlie and the Chocolate Factory (West End); Measure For Measure; If You Kiss Me, Kiss Me (Young Vic); The Emperor (Young Vic / HOME Manchester); A Streetcar Named Desire (Young Vic / St Ann’s Warehouse New York); The Scottsboro Boys (Young Vic /West End).

Paul received a Tony Award, a Drama Desk Award and an Olivier Award for Billy Elliot The Musical, Tony nominations for One Man, Two Guvnors in 2012 and Mary Stuart in 2009, an Evening Standard Award for Festen, an Olivier Award for Saint Joan and a Drama Desk Award for The Pillowman.

For the Almeida: Oresteia; 1984 (also Headlong / Nottingham Playhouse / West End).

As Video Designer, theatre, dance and opera include: The Red Barn (National Theatre London); Democracy (Rapture Theatre); Fracked! (Chichester Festival Theatre); Meeting Bea (The Old Laundry Theatre); Show Boat ( New London Theatre); If You Kiss Me, Kiss Me (Young Vic); Blood Wedding (Dundee Rep / Graeae / Derby Playhouse); Stemmer (Bergen National Opera); Scale (Scottish Dance Theatre); Letters Home: England in a Pink Blouse (Grid Iron / Edinburgh International Book Festival); A Christmas Carol (Royal Lyceum, Edinburgh); The Effect, Love Your Soldiers; The History Boys (Crucible Theatre, Sheffield); Quiz Show; Tree of Knowledge (Traverse Theatre); Carousel (Royal Conservatoire of Scotland); White Rose (Firebrand Theatre); 8 (Glasgay Festival); Biding Time (Remix) (A Band Called Quinn / Tromolo Productions); Ghost Patrol (Scottish Opera / Music Theatre Wales); Educating Ronnie (HighTide / MacRobert Arts Centre, Stirling); Can We Talk About This? (DV8); Clockwork (Visible Fictions / Scottish Opera); Girl X; 99… 100; Peter Pan (National Theatre of Scotland); Playback (Ankur Productions); The Not-So-Fatal Death of Grandpa Fredo; Bright Black (Vox Motus); We Dance WeeGroove (Stillmotion); Treasure Island; One Giant Leap (Wee Stories); Promises Promises (Random Accomplice); Cresseid (Edinburgh International Festival); White Tea (Fire Exit); The Tailor of Inverness (Dogstar).

As Video Co-designer: Ten Billion (59 Productions / Royal Court); As One (Royal Ballet).

As Projection Designer: Wild Swans (Young Vic / ART).

Tim has worked as head of video for the National Theatre of Scotland and toured internationally. His work has been seen in places as diverse as Sydney Opera House and the Shetland Isles.

He was nominated for the 2014 “Knights of Illumination” Award for Theatre Projection Design for 1984.

For the Almeida: Oil; Uncle Vanya; Medea; Oresteia; Game; Mr Burns; Chimerica (also West End); Before the Party; The Turn of the Screw; King Lear; Children’s Children; Filumena; The Knot of the Heart; Through a Glass Darkly; Measure for Measure; When the Rain Stops Falling; In a Dark Dark House; The Homecoming; Nocturne; Awake and Sing!; Dying for It; Out of the Fog.

Theatre includes: Harry Potter and the Cursed Child (Palace Theatre); Yerma; Blue/Orange; The Trial; Ah, Wilderness!; Man; A View from the Bridge (Young Vic / West End / Broadway); Happy Days; Public Enemy; The Shawl; Blackta; Wild Swans; After Miss Julie; A Doll’s House (Young Vic / West End / BAM); The Government Inspector; The Glass Menagerie; Joe Turner’s Come and Gone; Annie Get Your Gun; In The Red and Brown Water; Lost Highway; (Young Vic); Hamlet (Barbican); The Nether (also West End); Adler & Gibb; Birdland; The Mistress Contract; Khandan; The Pass; Gastronauts; Clybourne Park (also West End); The Heretic; Get Santa!; Kin; Red Bud; Tribes; Wanderlust; Spur of the Moment; Sucker Punch; Ingredient X (Royal Court); Martyr; The Events; The Golden Dragon; Bad Jazz; A Brief History of Helen of Troy (ATC); A Chorus of Disapproval; South Downs / The Browning Version; Absent Friends; Backbeat; Arcadia; Swimming with Sharks; As You Like It; Antarctica; The Weir (West End); Six Characters in Search of an Author (Chichester Festival Theatre / West End / Sydney Festival); Pool (no water) (Frantic Assembly); Gaddafi: A Living Myth (English National Opera); Othello (Cheek by Jowl); The Girl on the Sofa (Edinburgh International Festival / Schaubuhne Theatre, Berlin).

Film includes: The Exception; Departure; Astoria; Adha Cup; Parliamo Glasgow; Harvest.

Julia is an Associate Artist at the Young Vic.

For the Almeida, as Associate Director: The Odyssey; The Illiad; 1984; (also UK and international tour/West End).

As Director: A Marked Man (HighTide); 24 Hour Plays (Old Vic); The Seagull (Bloomsbury Theatre).

As Associate Director: The Red Barn (National Theatre); Bad Jews (West End).

As Assistant/Staff Director: Three Days in the Country; A Small Family Business (National Theatre); The Nether (West End); Romeo and Juliet (Headlong / UK tour); Noises Off (Old Vic / UK tour); Abigail’s Party (Theatre Royal, Bath / UK tour); The Alchemist (Liverpool Playhouse).

Daniel is an Associate Artist at HighTide.

As Director, theatre includes: Fight Club (site specific); Hypothetical; Lost and Found (Rapid Write Response, Theatre503); The Fall of the House of Usher (Central St. Martins); Inland Empire (site specific); Faustus; The Pillowman (American Repertory Theater / Harvard Radcliffe Dramatic Club).

As Assistant Director, theatre includes: A Series of Increasingly Impossible Acts; Glitterland; Chamber Piece; A Streetcar Named Desire; Woyzeck (Secret Theatre, Lyric Hammersmith); Le triomphe de l’amour (Bulandra Theatre); One Arm (and a Leg) (Theater for a New City); The Untitled Project (Gene Frankel Theater); The Space Between (American Repertory Theater / Harvard Radcliffe Dramatic Club); Mnemonic (New College Theater).

Ilinca was the Associate Director on the Secret Theatre national tour.She trained at Harvard and Birkbeck, University of London.

Theatre includes: Photograph 51 (West End); Light Shining in Buckinghamshire; Strange Interlude; Antigone; Moon on a Rainbow Shawl (National Theatre); Fathers and Sons; The Night Alive; Lower Ninth; Les Parents Terribles (Donmar Warehouse); The Pride; Macbeth (Jamie Lloyd Season Trafalgar Studios); Quartett (Linbury Theatre); The Duchess of Malfi (The Old Vic); Batman World Arena Tour (International tour).

Musicals include: Dirty Dancing (Original West End, UK, European and South African tours); From Here to Eternity (West End); The Bodyguard (West End and UK tour); Hairspray (West End and UK tour).

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk

We have partnered with RADA to enable four third year RADA Acting BA students to join each performance for the 5th Act as Mary Stuart's handmaidens. Founded in 1904 by leading members of the profession, RADA provides world renowned vocational training for actors, stage managers, designers and technicians. RADA is delighted to be working with the Almeida Theatre and Robert Icke on Mary Stuart, enabling these students at the very start of their careers to work with major theatre artists. In addition to these performances these students will perform across 13 stage productions and 6 short films at RADA, all of which are open to the public.

www.rada.ac.uk