THE DOCTOR

For the Almeida: Machinal.

Theatre includes: Anna; Another World: Losing Our Children To Islamic State; The Motherf**Ker With The Hat; Dara; Behind The Beautiful Forevers (National Theatre); Ralegh: The Treason Trial (Shakespeare's Globe); Limehouse (Donmar Warehouse); The Complaint (Hampstead Theatre); The Bomb/First Blast/Second Blast (The Tricycle); On The Record (Arcola Theatre); The Tempest (Barbican); Lidless (Trafalgar Studios); Arabian Nights; Othello (RSC); Damascus (Traverse Theatre/ Tricycle Theatre); References To Salvador Dali Make Me Hot (Young Vic/ Arcola); Crazyblackmuthaf***Inself; Local (Royal Court); Shameless (Birmingham Rep/Soho Theatre); My Dad's Corner Shop (Birmingham Rep).

Television includes: Home; Marcella; Philip. K. Dick's Electric Dreams - Human Is; Unforgotten; Vera, Humans; Maigret: Maigret's Dead Man; The Lost Honour Of Christopher Jefferies; Rocket's Island; Luther; Little Crackers; The Fixer; The Omid Djalili Show; Being Human; The English Harem; Spooks; Derailed; The Bill; William & Mary; Holby City; The Jury; Deep Secrets; Living It II.

Film includes: Final Score; Earthy Encounters; Denial; Grow Your Own.

Radio includes: The Fall of the Shah; Tumanby Sesaon III; Censoring An Iranian Love Story; The Wind In My Hair; A Tale Of Two Cities; Love Is Not New In This Country; The Bastard Of Istanbul; Tommies; Tumanbay Series II; A Greek Drama; Iranian Voices; The Waves; Poppyseeds; Sugar And Snow; The Glad House; Keep On Running; Psyche.

For the Almeida: Macbeth; Conversations after a Burial.

Theatre includes: Aristocrats; Temple; Luise Miller (Donmar Warehouse); The Seagull (Lyric Hammersmith); Twilight Song (Park Theatre); Blackbird (Citizens Theatre); Hope; Nightsongs (Royal Court); Children Of The Sun; The White Guard; Paul (National Theatre); King Lear (Citizens Theatre); Caledonia; Black Watch (National Theatre Scotland); Damascus (Traverse Theatre/ Tricycle Theatre/ Middle East Tour); The Tempest (Tron Theatre); Measure For Measure (RSC); A Midsummer Night's Dream (Shakespeare's Globe); Buried Alive (Hampstead Theatre); The Way Of The World (Royal Exchange Theatre); An Enemy Of The People (National Theatre/ Ahmanson Theatre, LA); Macbeth (English Touring Theatre); The Slab Boys (Young Vic).

Television includes: Line of Duty; Raised by Wolves; The Sunny; Utopia; The Wrong Mans; Case Histories; Utopia; Line of Duty; Vera; Hope Springs; Purves and Pekkala; The Last Enemy; Silent Witness; The Thick of It; Low Winter Sun; Murder; The Lucky Ones; Staying Alive II; Staying Alive.

Film includes: Couple In A Hole; In The Loop; No Holds Bard; The Red Road; Goal!; Beautiful Creatures; Complicity; Bedrooms & Hallways.

Theatre includes: Queer Upstairs (Royal Court); All Mod Cons (Lyric Theatre, Belfast); Julius Caesar; Playing For Time; A Dream; The Sheffield Mysteries; 20 Tiny Plays About Sheffield (Crucible Theatre); The Interview (The Mono Box/ The Biscuit Factory); The Vagina Monologues (Theatre Deli/ SheFest).

Film includes: Re-displacement.

Mariah recently graduated from Guildford School of Acting.

For the Almeida: They Drink it in the Congo.

Theatre includes:The Convert (Young Vic); Meet Me at Dawn; Nothing But The Truth (Market Theatre Johannesburg); Teddy Ferrara (Donmar Warehouse); Belong (Royal Court); Comedy of Errors; Welcome to Thebes (National Theatre); Truth and Reconciliation; Now or Later (Royal Court); Archbishop and the Antichrist (Synergy); Twelfth Night (RSC/ Duke of York’s Theatre); Twelfth Night (RSC).

Television includes: Avenue 5; Motherland; In The Long Run 2; Wild Bill; Noughts and Crosses; The Widow; Lockdown; Coronation Street; Lewis.

Film includes: The Forgiven; Kingmakers; The Special Relationship; Sometimes In April; Zulu Love Letter.

Pamela was nominated for Best Supporting Actress SAFTA for Lockdown Series 2, and a Naledi Award for Leading Female Role in Meet Me At Dawn.

For the Almeida: Mary Stuart (also West End); Hamlet (also West End).

Theatre includes: King Lear (Duke of York's Theatre); 1984 (West End); Pericles; The Winter’s Tale; King John; Tis Pity She’s a Whore; Anthony and Cleopatra; Holy Warriors (Shakespeare’s Globe); Oedipus (Nottingham Playhouse/ Spoleto Festival); Ignorance (Hampstead Theatre); Blue Remembered Hills (Chichester); The Bomb (Tricycle Theatre); The Great Game (Tricycle Theatre/ US Tour); Sixty Six Books (Bush Theatre); The Fever Chart (Trafalgar Studios/ York Theatre Royal); Enemy of the People (Arcola Theatre); All Quiet on the Western Front; Chicken Soup with Barley (Nottingham Playhouse); Shoreditch Madonna; Diamond; Jerusalem Syndrome (Soho Theatre); The Last Sortie (New End Theatre/ Hampstead Theatre); Seven Sonnets of Michelangelo (Lyric Hammersmith).

Television includes: The Royals; Game of Thrones; Ambassadors; Doctors; Our Men;

Holby City; Murder on the Homefront; Spooks; Henry - Mind of a Tyrant; The Bill; Casualty;

The Roman Mysteries; EastEnders; Money Can't Buy You Love.

Film includes: Lilac's Laughter; Mind the Gap; Two's Company; The Penalty King; Bury It;

Susie Gold.

For the Almeida: Mr Puntila and his Man Matti (also West End).

Theatre Includes: Henry V (Regent’s Park); The Winter’s Tale (Cheek By Jowl); Shakespeare In Love (Noel Coward Theatre); Much Ado About Nothing; The Taming Of The Shrew (Shakespeare’s Globe UK Tour); To Kill A Mocking Bird (Manchester Royal Exchange); What You Will: Pop Up Shakespeare; Macbeth; Much Ado About Nothing; The Maid’s Tragedy; The Winter’s Tale; Ghost Of Lucrece (Shakespeare’s Globe); Song Of Songs (RSC); Phoenix Rising (Tara Arts); Welcome To Thebes; The Observer; Citizenship/Burn; The Oresteia; Racing Demon; Pericles; Fuente Ovejuna (National Theatre); Greenwash (Orange Tree); Playboy of the West Indies (Tricycle Theatre); The Royal Family (Theatre Royal Haymarket); From the Mississippi Delta; A Midsummer Night’s Dream (Young Vic); S.A.B.; Downfall (Royal Court); Medea (Manchester Royal Exchange).

Television Includes: The Long Song; Silent Witness; Casualty; Mrs Wilson; Press; Legends of Tomorrow; Walliams and Friend; The Comic Strip Presents – Red Top; Doctors; Holby City; Family Man; Trial And Retribution; Judge John Deed; Mccready & Daughter; The Bill; Agony Again; Bambino Mio.

Film Includes: Children of Men; Tug of Love.

For the Almeida: Machinal.

Theatre includes: Macbeth (Shakespeare's Globe); The Great Wave; Saint George and the Dragon (National Theatre), Pride and Prejudice (Regent's Park Open Air Theatre/ UK Tour - nominated for 'Best Newcomer' at the 2017 Manchester Theatre Awards); Secret Cinema: The Handmaiden (Secret Cinema); Banana in Bruises (Woven Voices).

Film includes: Hafu.

Audiobooks include: The Earthquake Bird.

Kirsty trained at Drama Centre London.

For the Almeida: Mary Stuart (also West End); Hamlet (also West End); The Odyssey; Duet For One (also West End).

Theatre includes: Beckett Shorts (RSC Stratford / Europe); Les Liaisons Dangereuses; As You Like It; Troilus and Cressida; Measure For Measure; A Midsummer Night’s Dream; The Witch of Edmonton; Money (RSC Stratford / Barbican); Henry IV Parts I & II (RSC Stratford Tour); Once In A Lifetime; The White Guard (RSC Aldwych); Hippolytus; Anthony and Cleopatra; The Churchill Play; The Taming Of The Shrew; The Tempest (RSC Stratford); Alice Trilogy; The Country; Other Worlds (Royal Court); The Seagull; Private Lives; Hedda Gabler; Yerma (National Theatre); We Happy Few (Gielgud Theatre); Caucasian Chalk Circle (National Theatre / Tour); The Duchess Of Malfi (Greenwich / West End); Scenes From An Execution (Mark Taper Forum, LA); Death and the Maiden (Royal Court / West End); Burn This (Hampstead / West End); On The Verge (Sadler’s Wells); The Trackers of Exyrhynchtus (National Theatre Studio).

Television includes: Dustbin Baby; Place of Execution; Hear The Silence; The Pact; Trial By Fire; Cider With Rosie; Stone Scissors Paper; The Politician’s Wife; Out Of Love; Stanley; A Doll’s House; Life Story; Antigone; Freud; Bazaar and Rummage; The Mallens; Maybury; Great Journeys: Isabella Eberhardt; Oedipus At Colonus.

Film includes: Desert Flower; The Secret of Moonacre; And When Did You Last See Your Father; Breaking And Entering; Pierrepoint; The Snow Queen; A Previous Engagement; Every Word Is True; Red Mercury Rising; Being Julia; Mona Lisa Smile; Nicholas Nickleby; Food For Love; Bend It Like Beckham; The Search For John Gissing; The Road From Coorain; Play (Samuel Beckett); Emma; A Secret Rapture; Who Dealt; The Trial; Truly Madly Deeply; Drowning By Numbers.

For the Almeida: Against.

Theatre includes: An Evening at The Talkhouse; An Oak Tree; Marat Sade; Fair Ladies at a Game of Poem Cards (National Theatre); Blood Wedding (Metta Theatre); Splash Hatch on the E Going Down (Donmar Warehouse); Madman of the Balcony (Gate Theatre); States of Shock (Salisbury Playhouse); The Bite of the Night; Measure for Measure; Cymbeline; Have and The Taming of the Shrew (RSC); The Wizard of Oz and Sunday's Children (Derby Theatre); Top Girls (Sherman Theatre); Three Sisters (Theatr Clywd); The Crucible and School for Scandal (Pitlochry Festival Theatre); Kes (Contact Theatre, Manchester); Tokens of Affection (Northern Studio).

Television includes: Fiona's Story; Babyfather; Wycliffe; Soldier Soldier;, Between the Lines; El Cid.

Radio includes: The Broughton Butchers; Ntombi: Morning Story; Travels in West Africa; Running Dogs; Anagonia; Caribbean Night.

Naomi is the Artistic Director of The Barebones Project.

Recent directing credits include: African Gothic by Reza de Wet (Arcola Theatre), Lonestar by James McClure and PVT Wars by James McClure (both for The Barebones Project).

Naomi trained at the Bristol Old Vic Theatre School.

For the Almeida: Three Sisters; Dance Nation.

Theatre includes: Gun Dog; Bad Roads; X (Royal Court); Plastic (Ustinov Studio, Bath); The Crucible (Royal Exchange Theatre); Arcadia (English Touring Theatre/Theatre Royal Brighton); Four Minutes Twelve Seconds (Hampstead Theatre/ Trafalgar Studios); Chapel Street (The Bush/Edinburgh Underbelly/ Liverpool Everyman); God’s Property (Soho Theatre); Skanky (Arcola Theatre).

Television includes: Through the Gates; Three Girls; Mr Selfridge; Outlaws; Youngers; Nightshift; The Midnight Beast; Murder on the Home Front; Whitechapel.

Film includes: Teen Spirit; Entebbe; Jellyfish; Kill Your Friends.

For the Almeida: Mary Stuart (also West End); Hamlet (also West End and BBC2); Uncle Vanya; Oresteia (also West End); The Fever ; Mr Burns; 1984 (co-created with Duncan Macmillan; also Broadway, West End, National and International tours).

Theatre includes: Oedipus (Toneelgroep Amsterdam); Boys; Romeo and Juliet (Headlong).

Robert is Associate Director at the Almeida. Elsewhere his recent work includes The Crucible (Theater Basel), Oedipus (Toneelgroep Amsterdam and runs at Edinburgh International Festival this summer) and Orestie (Schauspiel Stuttgart, awarded the Kurt-Hübner-Regiepreis). He is a fellow of the Royal Society of Literature, has won the UK Theatre Award, the Critics’ Circle Award and the Evening Standard Theatre Award for Best Director, and is the youngest ever winner of the Olivier Award for Best Director.

For the Almeida: Hamlet (also West End); Mary Stuart (also West End); Oresteia (also West End);The Goat, or Who is Sylvia? (also West End); Richard III; Uncle Vanya; Rosmersholm.

Theatre includes: Antony and Cleopatra; Waste; A Taste of Honey; Scenes from an Execution; After The Dance; Harper Regan; The Hour We Knew Nothing of Each Other; The Hothouse; Therese Raquin; Exiles; Iphigenia at Aulis; The Merchant of Venice; Richard II; King Lear (National Theatre); Primo (National Theatre/ Broadway); Consent (National Theatre/ West End); Oedipus (Toneelgroep Amsterdam); Teddy Ferrara; Roots; Trelawny of the Wells (Donmar); Mood Music; Cause Celebre; All About My Mother; Richard II (Old Vic); The Seagull (Royal Court/ Broadway); Now or Later; Krapp’s Last Tape; Terrorism; Blasted (Royal Court); My Name is Rachel Corrie (Royal Court/ New York); Electra (RSC); The Jewish Wife (Young Vic); Good People; Passion Play; Old Times; Blithe Spirit; The Misanthrope; Hedda Gabler; The Crucible; The Master Builder (West End); Top Hat (West End/ World Tour); The Sunshine Boys (West End/ Ahmanson Theatre, Los Angeles); Arcadia (West End/ Broadway).

Opera includes: productions at Edinburgh International Festival, Santa Fe Opera, La Scala Milan, English National Opera, Scottish Opera, Glyndebourne, Opera North, Munich Staatsoper, Amsterdam Musiktheater, Sydney Opera House, Paris Opera and most recently, The Exterminating Angel for Salzburg, ROH and The Met.

Film includes: Primo; Krapp’s Last Tape; Richard II; Hedda Gabler.

She received an Olivier Award for her design of After the Dance, and also won the Australian Green Room Award for Best Opera Design for Lady Macbeth of Mtsensk at Sydney Opera House.

For the Almeida: Medea; Ink; The Twilight Zone; Filomena.

Theatre includes: Company (Gielgud Theatre); The Birthday Party (The Harold Pinter Theatre); Angels in America; Oslo; Peter Gynt (National Theatre); Good People; Wonderland; Hapgood; Jude (Hampstead Theatre); Sunny Afternoon (Hampstead Theatre/ West End/ UK Tour); As You Desire Me (Playhouse Theatre); King Lear; The Winslow Boy (Chichester Festival Theatre); Shakespeare Trilogy; Closer; Philadelphia Here I Come (Donmar Warehouse).

Opera includes: Vanessa; The Rape of Lucretia; La Boheme; St Matthew Passion (Glyndebourne); Agrippina; Orfeo; Salome; Alcina; Child of our Time; Trojans; Ernani; The Mikado; Don Giovanni (English National Opera/ Basel/ Oslo); Cosi Fan Tutte (ENO – Barbican).

Deborah studied Fashion Design at Central St Martins College of Art and then worked in fashion before being lured into the theatre. She has worked as a Costume Designer, Associate Designer and Supervisor in both opera and theatre.

For the Almeida: Hamlet; Oresteia.

Theatre includes: The Deep Blue Sea; The Chalk Garden; The House They Grew Up In (Chichester); We Are Here (La Mama New York); Allelujah! (Bridge Theatre); The American Clock; Sylvia (Old Vic); Oedipus (Toneelgroep Amsterdam); The Duchess of Malfi (RSC); Belleville (Donmar Warehouse); The Cane; Bad Roads; Mistress Contract; Fireworks (Royal Court); 1984 (West End/ Broadway); Strapless (Royal Ballet); Sunset at the Villa Thalia; Statement of Regret (National Theatre); Happy Days (Sheffield Crucible); Green Snake (National Theatre of China); The Radicalisation of Bradley Manning (National Theatre of Wales); Macbeth (Broadway); 27; The Wolves in the Walls and Home (National Theatre of Scotland); Sunday in the Park with George (West End).

Natasha’s awards include an Olivier Award nomination 2016 for Oresteia (White Light Award for Best Lighting Design); UK Theatre Award 2011 for Happy Days (Best Design); Olivier Award 2007 for Sunday in the Park with George (Best Lighting Design).

For the Almeida: The Wild Duck; Hamlet (also West End); Oresteia (also Trafalgar Studios); Mr Burns; 1984 (also West End/ Broadway).

Theatre includes: The End of History; Pah-La; The Woods; Love Love Love (Royal Court); Our Town (Regent’s Park Open Air Theatre); All About Eve (West End); Hexenjagd (Theater Basel); The Madness of George III (Nottingham Playhouse); Home, I’m Darling (National Theatre/Theatr Clwyd); Oedipus (Toneelgroep Amsterdam); Fanny and Alexander; The Lorax (The Old Vic) Hedda Gabler; Sunset at the Villa Thalia; The Red Barn; People; Places and Things (National Theatre/ West End); A View From the Bridge (Young Vic/West End); Life of Galileo; Happy Days; A Season in the Congo, Disco Pigs (Young Vic); Les Miserables (Wermland Opera, Sweden); The Crucible (Broadway); Anna Karenina (Manchester Royal Exchange); The Moderate Soprano, Elephants (Hampstead Theatre); White Devil, As You Like It (RSC); Translations, Plenty (Crucible Theatre); The Absence of War, Romeo & Juliet (Headlong); Lion Boy (Complicité); Henry IV; Julius Caesar (Donmar Warehouse); Grounded (Gate Theatre);The Spire (Salisbury Playhouse); London; The Angry Brigade; Wasted (Paines Plough); Roundabout Season (Shoreditch Town Hall/ Paines Plough); The Rover (Hampton Court Palace); Dead Heavy Fantastic (Liverpool Everyman).

Tom received the 2016 Olivier Award for Best Sound Design for Places and Things.

For the Almeida: Three Sisters; The Wild Duck; Machinal; The Writer; Summer and Smoke (also West End); The Twilight Zone (also West End); The Treatment; Hamlet (also West End); Mary Stuart (also West End); Oil; Uncle Vanya; Medea; Oresteia (also West End); Game; Mr Burns; Chimerica (also West End); Before the Party; The Turn of the Screw; King Lear; Children’s Children; Filumena; The Knot of the Heart; Through a Glass Darkly; Measure for Measure; When the Rain Stops Falling; In a Dark Dark House; The Homecoming; Nocturne; Awake and Sing!; Dying for It; Out of the Fog.

Theatre includes: Harry Potter and the Cursed Child (Palace Theatre/ Lyric Theatre Broadway); All About Eve (West End); The Inheritance (Young Vic/ West End); The Jungle (Young Vic/ West End/ New York/ San Francisco); Yerma (Young Vic/ Park Ave Armory); A View from the Bridge (Young Vic/ West End/ Broadway); A Doll’s House (Young Vic/ West End/ BAM); Jesus Hopped the A Train; Fun Home; Yellowman; Wings; Life of Galileo; Once in a Lifetime; Blue/Orange; The Trial; Ah, Wilderness!; Man; Happy Days; Public Enemy; The Shawl; Blackta; Wild Swans; After Miss Julie; The Government Inspector; The Glass Menagerie; Joe Turner’s Come and Gone; Annie Get Your Gun; In The Red and Brown Water; Lost Highway (Young Vic); Obsession; Hamlet (Barbican); The Nether; Clybourne Park (Royal Court/ West End); Adler & Gibb; Birdland; The Mistress Contract; Khandan; The Pass; Gastronauts; The Heretic; Get Santa!; Kin; Red Bud; Tribes; Wanderlust; Spur of the Moment; Sucker Punch; Ingredient X (Royal Court); The Events (ATC/ New York); The Golden Dragon; Bad Jazz; A Brief History of Helen of Troy; Martyr(ATC); Six Characters in Search of an Author (Chichester Festival Theatre/ West End/ Sydney Festival); Pool (no water) (Frantic Assembly); Gaddafi: A Living Myth (English National Opera); Othello (Cheek by Jowl); The Girl on the Sofa (Edinburgh International Festival/ Schaubuhne Theatre, Berlin).

Film and TV includes: Hamlet; Why It’s Kicking Off Everywhere; The Trial: A Murder in the Family; The Exception; Departure; Astoria; Adha Cup; Parliamo Glasgow; Harvest.

Moyo is a director, teacher, performer and South London activist with a Masters in Contemporary Performance Practice from the University of Kent.

She believes in theatres capacity for social reform and is the Artistic director of Mwarsha Featre, a community based theatre company for emerging work and social engagement. She has directed and produced shows at the Lyric Hammersmith, The Courtyard and The Actors Center.

For the Almeida:

As Costume Assistant: The Twilight Zone.

Theatre includes:

As Costume Supervisor: Invisible Cities (MIF/59 Productions/ Rambert); Sweet Charity (Pimlico Opera/ HMP Bronzefield); Genesis; Filthy Business (Hampstead Theatre); Sylvia (Latitude Festival/ The Old Vic); Fanny and Alexander; The Divide (The Old Vic).

As Assistant Costume Supervisor: The Twilight Zone (Ambassador’s Theatre); Company (Gielgud Theatre); An Inspector Calls (Playhouse Theatre, US and UK tours); Oklahoma!; Don Carlo; Oliver! (Grange Park Opera); Ulisse; Albert Herring (The Grange Festival).

Film includes:

As Costume Maker: Black Mirror: USS Callister; The Great.

Theatre includes: Small Island; Rutherford and son (National Theatre); Intimate Apparel; Rotterdam; Suddenly, last summer, Love and Information (RADA); Heathers (Theatre Royal Haymarket); Saturday Night Fever (New Wimbledon Theatre).

Film includes: The Kindness of Strangers; Eve; Mirror Mirror; Just Desserts.

Maybelle graduated from RADA with a post graduate diploma in Theatre Costume in July 2019.