The Twilight Zone

Theatre includes: Dead Don’t Floss; People (National Theatre); The Royale, (Bush Theatre); Torn (Royal Court); Hopelessly Devoted (Paines Plough);
Perseverance Drive (The Bush Theatre);This May Hurt A Bit (Out Of Joint); Our Ajax (Southwark Playhouse); Bang Bang Bang (Out Of Joint/Royal Court); After The Accident (Soho Theatre); Pornography (Tricycle Theatre); Cockroach (National Theatre Of Scotland/Traverse Theatre); Pornography (Traverse Theatre/Birmingham Rep); Macbeth; The Winter’s Tale (RSC); The Winter’s Tale; Pericles (RSC).

Television Includes: Sick Note; The Child In Time; Liar; Apple Tree Yard; Prime Suspect 1973; Dark Heart; DCI Banks; The Windsors; Peep Show; Birds Of A Feather; Mayday; The Reckoning; Doctor Who; Law & Order: UK; Missing; Trial & Retribution; Gunrush.

Film includes: A Streetcat Named Bob; The Ones Below.

Theatre includes: Charlie & The Chocolate Factory (Theatre Royal Drury Lane); The Sound Of Music (London Palladium); Matilda (RSC); Les Misérables (Queen's Theatre).

Television includes: Kiss Me First; Upstart Crow; Call The Midwife; Hank Zipzer; Man Down; Silent Witness; The Little House; Doctors; Casualty; Magic Grandad; Clever Vs Stupid; Mr Eleven.

Film includes: Nativity 2: Danger in the Manger.

Theatre includes: On The Town (Regent's Park Open Air Theatre); The Wild Party (The Other Palace); Once In A Lifetime (Young Vic); Vanities (Trafalgar Studios); Mrs Henderson Presents (Noël Coward Theatre); Xanadu (Southwark Playhouse); Dirty Rotten Scoundrels (Savoy Theatre).

Television includes: The Windsor’s; Plebs.

Film includes: The Festival.

Concerts include: Oklahoma! (BBC Proms).

Theatre includes: Once in a Lifetime (Young Vic); Chitty Chitty Bang Bang (West Yorkshire Playhouse); Everyman; An Oak Tree; Medea; The Magistrate (National Theatre); Stephen Ward (Aldwych Theatre); The Pajama Game (Chichester Festival Theatre); Crazy For You (Novello Theatre); Into the Woods (Regent's Park Open Air Theatre).

Television includes: The Trails of Jimmy Rose; Spotless.

Film includes: London Road; Les Miserables.

Theatre includes: World Cup 1966 (Bristol Old Vic); The Trial (Young Vic); The Irish Giant (Southwark Playhouse); Angels of the Universe; Increased Difficulty of Concentration (Gate Theatre); Made Up (Soho Theatre);The Summer House (Gate Theatre/UK Tour); Pub Rock (Lyric Hammersmith/UK Tour); Hard Hearted Hannah (Theatre Royal, Plymouth/Tobacco Factory Theatres); The Ratcatcher of Hamelin (Battersea Arts Centre); Meat & 2 Veg (UK Tour); What Dickens (Pegasus Oxford/Theatre Royal, Plymouth); Richard III (UK Tour).

Television includes: Mermaids; Doctors; The Bill; Casualty; No Angels; Dalziel & Pascoe.

Theatre includes: The Hairy Ape (Park Avenue Armory, New York).

Television includes: Vera; Humans; My Mother and Other Strangers; Moving On; The Naughty Room.

Film includes: Hunter Killer; Annihilation; The Marker; Lady Macbeth; The Habit of Beauty; Spooks: The Greater Good; Farming.

For the Almeida: House of Games; Chain Play II; The Hypochondriac.

Theatre includes: Once in a Lifetime; Annie Get Your Gun; The Good Soul of Szechuan (Young Vic); Dirty Rotten Scoundrels (Savoy Theatre); Privates on Parade (Noël Coward Theatre); Ding Dong the Wicked; Mother Teresa is Dead (Royal Court); The Taming of the Shrew (RSC); A Flea in her Ear (Old Vic); The Emperor Jones; Market Boy; Sing Yer Heart Out for the Lads (National Theatre); The Anniversary (Garrick Theatre); Neville’s Island (Chichester Theatre); Ragtime (Regent’s Park Open Air Theatre).

Television includes: Death in Paradise; Doc Martin; In the Club; Porridge; Hotel Babylon; Suburban Shootout; Ronni Ancona & Co., Gunrush.

For the Almeida: The Treatment.

Theatre includes: Much Ado About Nothing; Imogen; The Comedy of Errors; Titus Andronicus; The Knight of the Burning Pestle (Shakespeare’s Globe); Richard II; Henry IV Parts I & II; Love’s Sacrifice; The Jew of Malta; Candide; Titus Andronicus (RSC); Our Country’s Good (Out of Joint); There is a War (National Theatre); Bingo; The Grapes of Wrath (Chichester Festival Theatre; Shades (Royal Court).

Television includes: Endeavour; The Hollow Crown; Monroe; Sherlock.

Film includes: The Ritual; Stutterer.

Theatre includes: The Meeting (Hampstead Theatre); A Midsummer Night’s Dream; Privates on Parade (Michael Grandage Theatre Company); The Taming of the Shrew (RSC); When Did You Last See My Mother? (Trafalgar Studios); The Comedy of Errors; Richard III; The Merchant of Venice; A Midsummer Night's Dream (Propeller Theatre Company); Hay Fever (Rose Theatre, Kingston); A Day at the Racists (Finborough Theatre); The Rivals (Southwark Playhouse); Burial at Thebes (Nottingham Playhouse/Barbican); Hysteria (Birmingham Repertory Theatre); Slope (The Tramway, Glasgow).

Television includes: Mum; Fearless; Atlantis; Call the Midwife.

Film includes: Thor: The Dark World, Cannibal In the Jungle.

For the Almeida: Mr Burns.

Theatre includes: 10 out of 12 (Soho Rep, NYC); Antlia Pneumatica (Playwrights Horizons, NYC); The Communist Dracula Pageant (ART, Boston); A Devil at Noon (Actors Theater of Louisville, Kentucky); I Have Loved Strangers (Clubbed Thumb Summerworks, NYC); The Internationalist (13P, NYC); The Ladies (The Civilians, NYC); The Small (Clubbed Thumb Summerworks, NYC); Orestes (The Folger, Washington D.C.); Iphigenia In Aulis (Classic Stage Company, NYC).

Anne’s awards include a Guggenheim, an Alpert, and a Laura Pels for an artist in mid-career. Anne is an associated artist with The Civilians, Clubbed Thumb, New Georges, and is an alumna of New Dramatists and 13P.

Theatre includes: Too Clever By Half; The Illusion; A Flea in Her Ear; The Hairy Ape (Old Vic); Six Characters Looking for an Author; Hobson’s Choice; The Good Soul of Szechuan; Annie Get Your Gun; The Government Inspector; Public Enemy; The Trial (Young Vic); Into The Woods (Phoenix Theatre); Black Snow (American Repertory Theatre); All’s Well that Ends Well (Public Theater); La Bête; Wrong Mountain (Eugene O’Neill Theater); Titanic (Lunt Fontaine Theater); Holy Mothers (Ambassadors Theatre/Royal Court); Le Bourgeois Gentilhomme; Tales from the Vienna Woods (National Theatre); A Midsummer Night’s Dream (Royal Shakespeare Company/Yale/Salamanca Festival); Rumpelstiltskin (Birmingham Contemporary Music Group/Spitalfields Festival).

Opera includes:Boris Godunov; Der Ring des Nibelungen; Lady Macbeth of Mtsensk; L’heure Espagnole and Gianni Schicchi; The Gambler; Anna Nicole; Il Trittico; Gloriana (Royal Opera House); The Plumber’s Gift; The Love for Three Oranges; Die Fledermaus; Pelleas and Melisande; From Morning to Midnight; Lulu; The Trojans; Cavalleria Rusticana and Pagliacci; The Bitter Tears of Petra von Kant; The Tales of Hoffmann; Julietta; Rodelinda; The girl of the golden West (English National Opera/Santa Fe Opera); Hansel and Gretel; The Queen of Spades; Wozzeck; Die Meistersinger von Nuremberg (WNO/English National Opera); Skin Deep (Opera North Leeds); Flight; Macbeth; Falstaff; Der Rosenkavalier (Glyndebourne); Julius Caesar; The Midsummer Marriage; Lohengrin; Hansel and Gretel (Munich); Ariodante (Aix-en-Provence Festival/Nationale Opera & Ballet in Amsterdam); L’enfant et les Sortilèges; Der Zwerg; Julietta (Paris Opera); Peter Grimes (La Scala Milan); Hansel and Gretel (Metropolitan Opera New York); The Makropulos Case; Billy Budd (Frankfurt Opera); Mazeppa; Der fliegende Holländer; Jenufa; The Cunning little Vixen; Billy Budd (Amsterdam Opera); Wozzeck (Komische Opera Berlin); Un ballo in maschera; La Boheme (Bregenz Festival).

In theatre he has been awarded Olivier Awards for Too Clever by Half and Into the Woods the Evening Standard Award as best director for The Illusion. He was nominated for a Tony Award for La Bête on Broadway. He has been awarded 3 Olivier Awards in opera - for Hansel and Gretel, Lady Macbeth of Mtsensk and for The Mastersingers of Nuremberg - this production was also awarded a South Bank Show Award. He was given the Evening Standard Award for outstanding artistic achievement for his production of Wagners Ring. His recent production of The Hairy Ape was nominated for 6 Drama Desk nominations.

Richard was appointed CBE in the 2015 New Year’s Honours list.

Projects with Richard Jones include: Don Giovanni; The Meistersingers Of Nuremberg; Lulu (ENO); Der Rosenkavalier (Glyndebourne Festival); Wozzeck (Komische Oper Berlin).

Other opera includes: Semiramide; Falstaff; Der Rosenkavalier; La Calisto (ROH); Billy Budd; Peter Grimes (ENO); L’Orfeo; Arabella (Opera North); Turandot (WNO); M Butterfly; Der Rosenkavalier (Metropolitan Opera); Tristan and Isolde (Karlsruhe); Pyramus and Thisbe/Il Combatimento di Clorinda e Tancredi (Canadian National Opera).

Other international credits include productions in Paris, Tokyo, Amsterdam, Moscow, Copenhagen, Tel Aviv, Frankfurt, Houston, Munich, Oslo, Chicago, Basel, Cologne, Geneva, Barcelona, Vilnius, San Francisco, Düsseldorf, Antwerp, and Washington, DC.

Paul teaches Stage Design at the NYU Tisch School of the Arts, NYC.

Theatre includes: Billy Elliot the Musical (International Tour); Once in a Lifetime; Measure for Measure; The Trial; Public Enemy; Hamlet; Government Inspector; Vernon God Little; Annie Get Your Gun; The Good Soul of Szechuan; King Lear; Six Characters in Search of an Author (Young Vic); Angels in America; Everyman; The Seagull; A Little Night Music; Mother Clapp’s Molly House; Tales from the Vienna Woods (National Theatre); Jumpers (National Theatre/West End/Broadway); Powerbook (National Theatre/Paris/Rome); In Basildon (Royal Court); The Tempest; A Midsummer Night’s Dream; La Lupa (RSC); By the Bog of Cats (West End); Camille (Lyric Hammersmith); Proverb (Royal Ballet).

Opera and dance includes: Don Giovanni (dir Richard Jones); La Fanciulla Del West; Rodelinda; The Magic Flute; Cavalleria rusticana /Pagliacci; Don Giovanni (dir Rufus Norris); Turk In Italy; Boris Godunov; Pelleas and Melisande; Peter Grimes (English National Opera); Wind in the Willows (ROH/West End); Anna Nicole (Brooklyn Academy of Music); Boris Godunov; Il Trittico; Anna Nicole; The Gambler; Lady Macbeth of Mtsensk (Royal Opera House) ; Queen of Spades (Royal Opera House/Naples/Geneva); Die Zauberflote (Netherlandse Opera/Festival D’Aix-En-Provence); Rusalka (Copenhagen/Finland); The Fiery Angel (La Monnaie, Brussels); Pelleas et Melisande (Munich); The Rape of Lucretia; Der Rosenkavalier; Gianni Schicchi; The Miserly Knight; Flight; Don Giovanni (Glyndebourne); La Traviata; Hansel and Gretel (set and costumes), Of Thee I Sing; Pelleas and Melisande; Don Carlos; Wozzeck (Opera North); War and Peace (Paris); Midsummer Marriage (Munich).

Film includes: Institute Benjamenta.

Choreographic work includes: The Hairy Ape (Old Vic/Park Avenue Armory, New York); Sweet Charity (Royal Exchange, Manchester); La Traviata (Glyndebourne Festival/UK Tour); Anna Nicole (Royal Opera House/Brooklyn Academy of Music); Drifting and Tilting – The Songs Of Scott Walker (Barbican); The Effect and His Dark Materials (National Theatre);The Wind in the Willows – The Musical (London Palladium/UK Tour); Bend It Like Beckham (Phoenix Theatre); Made In Dagenham (Adelphi Theatre); Jesus Christ Superstar (Lyceum); Jenufa (Opera North); The Tempest (Royal Opera House).

Dance commissions include: The days run away like wild horses; Awakenings; Bloom (Rambert); Maybe Yes Maybe, Maybe No Maybe; Gang of Five (Phoenix Dance Company/UK Tour).

Directing work includes: If You Kiss Me, Kiss Me (Young Vic); La Cenerentola; La Fanciulla del West; Dido and Aeneas; La Voix humaine; Les Noces (Opera North); Carmen (Salzburg Festival); Aladdin (Bristol Old Vic).

Born in London, Aletta studied at the London Contemporary Dance School and was a dancer and choreographer for London Contemporary Dance Theatre. She is a former Associate Artist at the Royal Opera House, where her work included choreographing and directing The Red Balloon, Cocteau Voices and Magical Night in the Linbury Studio Theatre.

Aletta won the Oliver Award for her work on The Tempest.

Theatre includes: Public Enemy; The Government Inspector (Young Vic); Jerusalem (Royal Court/West End/Broadway).

Opera includes: Lady Macbeth of Mtsensk; L’Heure espagnole/Gianni Schicchi; The Gambler; Anna Nicole; Gloriana; Boris Godunov; La Boheme (Royal Opera House); Rosenkavalier (Tokyo Bunka Kaikan); The Hairy Ape (New York Armory); Lohengrin; Les Contes d’Hoffmann (Bavarian State Opera); The Makropulos Case (Frankfurt); Billy Budd (Netherlands Opera); Peter Grimes (La Scala, Milan); Falstaff; Der Rosenkavalier (Glyndebourne); Rusalka (Copenhagen); Rodelinda; Don Giovanni (English National Opera); Die Meistersinger von Nürnberg (Welsh National Opera); Der Ring des Nibelungen (Nationale Reisopera); Otello (Bavarian State Opera); Jenůfa (Vienna State Opera).

Mimi has been awarded the American Theatre Wing Award, 2 Obies, an Eddy, a Tony Nomination and 6 Drama Desk Nominations.

Theatre includes: The Hairy Ape (Old Vic/Park Avenue Armory, New York); Once in a Lifetime (Young Vic); The Effect (National Theatre); It Felt Like a Kiss (Manchester International Festival); Horlicks and Armageddon (Brighton Town Hall).

Live scores include: The Fall of the House of Usher (BFI Southbank); Sci-Fi Days of Fear and Wonder (BFI/Screen Archive South East/Cinecity - at Herstmonceux Observatory and Elektriteater, Tartu); The Big Story (BBC Radio 4); Sonakinatography (Raven Row); The Midwich Cuckoos; You Want Me to Say That I Love You (Cinecity/Duke of Yorks, Brighton).

Other music performance includes: Harmonic Series (Royal Festival Hall); Infrasonic (Purcell Room/Liverpool Cathedral); Ealing Feeder (Cafe Oto/Kings Place/Cardiff Millennium Centre/Supersonic/Museum of London/Horse Hospital/National Sawdust, Brooklyn); The Invisible Telegraph of Tomorrow (Centre for Contemporary Art, Glasgow); Saisonscape (The Arnolfini/Cafe Oto); Daylight Music (Union Chapel); The Click Live (BBC World Service); Echo Fantasy (Newhaven Fort); Eye Music (Handel House).

Sarah also researches electronic sound culture and private citizens’experience of The Cold War, speaking about these subjects for nyMusikk, The Wire Magazine, Unsound, Prima Vista, TEDx, dConstruct, the Science Museum and other hosts around Europe. She was invited by the Daphne Oram Trust to write a biography of Oram, Radiophonic Workshop co-founder - the foreword for the republication of Oram’s treatise on sound ‘An Individual Note’. She also has peer-reviewed work published by the Science Museum and Smithsonian Scholarly Press. She’s currently composing Giant, a chamber opera funded by a Jerwood Opera Writing Fellowship and supported by Aldeburgh Music.

For the Almeida:The Treatment; Ruined; Judgement Day.

Theatre includes: Escaped Alone; The Sewing Group; Aunt Dan & Lemon; Free Outgoing; Serious Money; Road (Royal Court); Love & Information (Royal Court/New York); St George & the Dragon; Twelfth Night; Man & Superman; The James Plays (Parts I & II); From Morning to Midnight; Strange Interlude; The White Guard; Burnt by the Sun; Every Good Boy Deserves Favour; The Hour We Knew Nothing of Each Other; Philistines; Happy Days; Thérèse Raquin; The Seagull; Burn/Chatroom/Citizenship; Coram Boy; A Minute Too Late; Measure for Measure; Mourning Becomes Elektra; Play Without Words; Machinal (National Theatre); War Horse (National Theatre/West End); Knives In Hens; Saint Joan; Faith Healer; Privacy; The Same Deep Water As Me; Philadelphia Here I Come!; Piaf; The Man Who Had All the Luck; Hecuba (Donmar Warehouse); A Disappearing Number; The Elephant Vanishes; Mnemonic; The Noise of Time; The Street of Crocodiles; The Three Lives of Lucie Cabrol; The Caucasian Chalk Circle (Complicite); A Human Being Died That Night; Macbeth; All My Sons; The Resistible Rise of Arturo Ui; Happy Days; A Moon for the Misbegotten; Coram Boy; Humble Boy; Not About Nightingales; Mnemonic (NY/Broadway); Wild; A Human Being Died That Night; And No More Shall We Part; For Once (Hampstead Theatre); The Merchant of Venice (Shakespeare’s Globe); The Entertainer; The Winter’s Tale (West End); The Father (Theatre Royal, Bath/Tricycle/West End); Hamlet; Julius Caesar (Barbican); Bull (Young Vic); The Playboy of the Western World; All About My Mother (Old Vic); Desire Under the Elms; Blasted (Lyric Hammersmith); Thyestes (Arcola Theatre); Shoes (Sadler’s Wells); The Caretaker; Crave/4:48 Psychosis (Sheffield Theatres); The Two Gentlemen of Verona; Wendy & Peter Pan; Twelfth Night; The Comedy of Errors; The Tempest; King Lear; Romeo & Juliet; King John; Much Ado About Nothing (RSC); Oppenheimer (RSC/West End); Macbeth (Manchester International Festival/ Armory New York); Drum Belly (Abbey Theatre, Dublin); Far Away; A Midsummer Night’s Dream (Bristol Old Vic); Good (Royal Exchange, Manchester); Man of Aran (Druid Theatre, Galway); Country Girls; The House of Special Purpose (Chichester Festival Theatre); Little Otik; The Bacchae (National Theatre of Scotland).

Christopher won the Tony Award for Best Sound Design of a Play for War Horse and the New York Drama Desk Award for War Horse, Mnemonic and Not About Nightingales. He also won the Evening Standard Theatre Award for A Disappearing Number.

Theatre includes: The Cherry Orchard; The Winter’s Tale (Old Vic); As You Like It; The Tempest (Old Vic/BAM); Into The Woods; Queen Anne (West End); The Revenger’s Tragedy; The Relapse; The Forest; Peer Gynt; Stuff Happens; Henry IV; Major Barbara; The Coast of Utopia; Waves; Summerfolk (National Theatre); The Comedy of Errors; The Tempest; A Midsummer Night’s Dream; Macbeth; The Taming of the Shrew (Shakespeare’s Globe).

As composer, film includes: Butterfly Man; Ghost of Mae Nak; Titus.

Television includes: The Tonight Show with Jimmy Fallon; Later with Jools Holland.

Albums with artists including: The Tiger Lillies, Morcheeba, David Byrne, Paolo Nutini and Deep Purple.

Live tours with artists including: Shirley Bassey, Barry White and Rod Stewart.

Stephen currently performs live with Paolo Nutini and Kygo.

For the Almeida: Ink; Filumena; Medea.

Theatre includes: Angels in America (National Theatre); Good People; Wonderland; Hapgood (Hampstead Theatre); Sunny Afternoon (Hampstead Theatre/West End/UK Tour); As You Desire Me (Playhouse Theatre, London); King Lear (Chichester Festival Theatre); The Tempest; Henry IV; Julius Caesar; Closer (Donmar Warehouse).

Opera includes: The Rape of Lucretia; La Boheme; St Matthew Passion (Glyndebourne); Agrippina; Orfeo; Salome; Alcina; Child of our Time; Trojans; Ernani; The Mikado; Don Giovanni (English National Opera); Cosi Fan Tutte (English National Opera/Barbican).

Deborah studied Fashion Design at Central St Martins College of Art and then worked in fashion before being lured into the theatre. She has worked as a Costume Supervisor in both Opera and Theatre.

For the Almeida: The Treatment; Hamlet; Mary Stuart; Oil; Uncle Vanya; Medea; Oresteia (also West End); Game; Mr Burns; Chimerica (also West End); Before the Party; The Turn of the Screw; King Lear; Children’s Children; Filumena; The Knot of the Heart; Through a Glass Darkly; Measure for Measure; When the Rain Stops Falling; In a Dark Dark House; The Homecoming; Nocturne; Awake and Sing!; Dying for It; Out of the Fog.

Theatre includes: Harry Potter and the Cursed Child (Palace Theatre); Yerma; Blue/Orange; The Trial; Ah, Wilderness!; Man; A View from the Bridge (also West End / Broadway); Happy Days; Public Enemy; The Shawl; Blackta; Wild Swans; After Miss Julie; A Doll’s House (also West End / BAM); The Government Inspector; The Glass Menagerie; Joe Turner’s Come and Gone; Annie Get Your Gun; In The Red and Brown Water; Lost Highway; (Young Vic); Hamlet (Barbican); The Nether (also West End); Adler & Gibb; Birdland; The Mistress Contract; Khandan; The Pass; Gastronauts; Clybourne Park (also West End); The Heretic; Get Santa!; Kin; Red Bud; Tribes; Wanderlust; Spur of the Moment; Sucker Punch; Ingredient X (Royal Court); Martyr; The Events; The Golden Dragon; Bad Jazz; A Brief History of Helen of Troy (ATC); A Chorus of Disapproval; South Downs / The Browning Version; Absent Friends; Backbeat; Arcadia; Swimming with Sharks; As You Like It; Antarctica; The Weir (West End); Six Characters in Search of an Author (Chichester Festival Theatre / West End / Sydney Festival); Pool (no water) (Frantic Assembly); Gaddafi: A Living Myth (English National Opera); Othello (Cheek by Jowl); The Girl on the Sofa (Edinburgh International Festival / Schaubuhne Theatre, Berlin).

Film includes: The Exception; Departure; Astoria; Adha Cup; Parliamo Glasgow; Harvest.

Julia is an Associate Artist at the Young Vic.

Theatre includes: Big Fish; Harry Potter and The Cursed Child; School of Rock (West End); Sex with Strangers (Hampstead Theatre); The Curious Incident of the Dog in the Night-Time; Medea; Beyond the Beautiful Forevers; Treasure Island; Man and Superman (National Theatre); The Two Noble Kinsmen (RSC).

Television includes: Victoria; Poldark; Dark Angel; The Paradise; Vera; Boy meets Girl; George Gently; Urban Myths.

Film includes: Rogue One - A Star Wars Story; Salt and Fire; Life.

Danèile trained at the Central School of Speech and Drama.

For the Almeida: The Treatment; Ruined; House of Games; Knot of the Heart; Children’s Children; Chimerica; They Drink It In The Congo.

Theatre includes: Goats; The Children; X; Linda; Primetime; Human Animals; I See You; Violence & Sons (Royal Court); The Exorcist (Phoenix Theatre); St George and the Dragon; Ma Rainey’s Black Bottom (National Theatre); Of Kith and Kin (Crucible Theatre, Sheffield/Bush Theatre); The Caretaker (Bristol Old Vic); Ladykillers (New Wolsey, Ipswich); Hamlet (Kenneth Branagh Theatre Company/RADA); Gloria; Experience (Hampstead Theatre); Girl from the North Country; The Caretaker; The Master Builder; The Hairy Ape (Old Vic); The Resistible Rise of Arturo Ui; One Night in Miami (Donmar Warehouse); Who's Afraid of Virginia Woolf? (Harold Pinter Theatre); An American in Paris (Dominion Theatre); The Miser (Theatre Royal Bath/Garrick Theatre); A Midsummer Night’s Dream; The Mountaintop (Young Vic); Bubbly Black Girl Sheds Her Chameleon Skin (Theatre Royal, Stratford East); Raising Martha; LUV (Park Theatre); Cyprus Avenue (Abbey Theatre; Dublin/Royal Court); The Exorcist (Birmingham Rep); Lazarus (Kings Cross Theatre); King Lear (RSC); Strife (Chichester Festival Theatre); La Boheme (Opera Holland Park); Romeo & Juliet; The Painkiller; Red Velvet; The Winter’s Tale; Harlequinade (Garrick Theatre); Observe the Sons of Ulster Marching Towards the Somme (Headlong); Only the Brave (Millennium Centre, Cardiff); Bad Jews (Theatre Royal, Haymarket); Private Lives (UK Tour); Waiting for Godot; Romeo & Juliet; The Effect (Crucible Theatre, Sheffield); The Winter’s Tale (Cheek by Jowl); The Wasp (Trafalgar Studios); First Love is the Revolution (Soho Theatre); Hamlet (Barbican); Richard II (Shakespeare’s Globe); Tipping the Velvet (Lyric Hammersmith); Medea (Gate Theatre).

Opera includes: Don Carlo (Grange Park Opera); The Pirates of Penzance; La Traviata; Mastersingers of Nurnberg; La Fanciulla; Benvenuto Cellini; Rodelinda (ENO).

As Director:

Theatre includes: Restoration; Storm; Never Tell Them; Pork (Oxford Playhouse); Unfinished; Death of a Small Independent Retailer (Liverpool Everyman); Welcome Home (Landor Theatre); Gale Force Clothes Pegs (Southwark Theatre); Sightseeing (5065/Soho Theatre).

Opera includes: Albert Herring; La Calisto (Hampstead Garden Opera); Lo Speziale (Retrospect Ensemble); Vivienne (ROH); Siegfried (Opera North/UK Tour); Albert Herring (Surrey Opera); A Voice of One Delight (Tête à Tête: The Opera Festival - Riverside Studios); The Cunning Little Vixen (Ryedale Festival/Ampleforth Theatre); Háry János; Orlando (Ryedale Festival); Die Heimkehr aus der Fremde; The Prodigal Son (Grimeborn Festival/Ryedale Festival).

As Assistant Director:

Theatre includes: All About My Mother (Old Vic); Marieluise (Gate Theatre).

Opera includes: Mastersingers of Nuremberg; The Girl of the Golden West; Peter Grimes (ENO); Dido and Aeneas/ La Voix Humaine; Macbeth; Hansel and Gretel (Opera North).

As Resident Director, for the Almeida: Albion.

As co-director: 252AM (Shady Dolls Theatre).

As director and co-writer: RIOT; 33; The Forever Machine (Wardrobe Ensemble); Rocky: A Horror Show (The Wardrobe Theatre).

As co-director and co-writer: 1972: The Future of Sex; Eloise and The Curse of The Golden Whisk (Wardrobe Ensemble).

As co-director and writer: The Episode (UK Tour).

As writer: Weapons; Congregation (North Wall Theatre, Oxford).

As co-writer and performer: Education Education Education (Wardrobe Ensemble).

Tom trained in American Theatre at Rose Bruford and on Made in Bristol at the Bristol Old Vic. He is a founding member of The Wardrobe Theatre in Bristol, where in 2011, he founded Closer Each Day, an improvised soap opera that continues to be performed bi-weekly.

As an illusionist, work includes: Brain Games; Your Bleeped Up Brain; Mythbusters;various projects with Derren Brown.

Books include: The Luck Factor; Quirkology; 59 Seconds.

Richard is a Professor of the Public Understanding of Psychology at the University of Hertfordshire and is a Member of the Inner Magic Circle. In 2016 he was awarded an Honorary Doctorate of Science from Abertay University for his work into the public understanding of science.

His research has been published in some of the world's leading academic journals, and he has delivered keynote addresses to organisations, including The Swiss Economic Forum, Google and Amazon.

Shows include: Dr Houstoun's Conjuring.

Books include: The Notebook; Hellis in Wonderland.

As magic consultant:

Television includes: Wolf Hall.

Film includes: Hugo.

Will has a PhD in the history of magical education, and holds a Research Fellowship with The Victoria and Albert Museum Research Institute. He has worked with organisations including the RSC, the V&A and the Wellcome Trust. Will also edits The Magic Circle's 105 year old magazine, The Magic Circular, The Young Magicians Club magazine, Secrets, and Half Half Man's journal, Quarterly.

Will is a winner of both The European Magic Championships and The Magic Circle Close-up Magician of the Year 2015 as well as holding a Literary Fellowship from The Academy of Magical Arts in Los Angeles.