A Moon for the Misbegotten

Rebecca is a multi-Olivier Award-winning director, who has directed in the UK and internationally. She is Associate Director at the Almeida Theatre and was previously on the Almeida’s Resident Director scheme supported by the Eranda Rothschild Foundation.

For the Almeida: Romeo and Juliet; A Streetcar Named Desire (also West End, Olivier Award for Best Revival, Olivier Award nomination for Best Director); Nine Lessons and Carols: stories for a long winter; The Duchess of Malfi; Three Sisters; Summer and Smoke (also West End; Olivier Award for Best Revival, Olivier Award nomination for Best Director).

Theatre includes: Cabaret (West End/ Broadway, seven Olivier Awards, including Best Director and Best Musical Revival, nine Tony Award nominations including Best Revival of a Musical and Critics’ Circle Award for Best Director); Julie (Internationaal Theater Amsterdam); The House of Bernarda Alba (National Theatre); Sanctuary City (New York Theatre Workshop; Drama Desk Award for Outstanding Director of a Play).

Moi is a multi-disciplinary artist, designer, cultural worker and educator with a dual practice across contemporary art and design for live performance.

Theatre includes:

As Set Designer: Why Am I So Single? (West End).

As Set and Costume Designer: The Homecoming; Chasing Hares (Young Vic); A View from the Bridge (Headlong/  Octagon Theatre, Bolton/ Chichester Festival Theatre/ Rose Theatre Kingston); A Play for the Living in a Time of Extinction (Headlong/ Barbican); The Herring Girls Protest Song Cycle (HighTide); Worth (New Earth Theatre/ Storyhouse, Chester); The Tempest (Shakespeare’s Globe); Henry V (Headlong/ Shakespeare’s Globe); Baghdaddy; Rare Earth Mettle; White Pearl (Royal Court); Corrina Corrina (Headlong/ Liverpool Everyman & Playhouse); Raya; Deluge (Hampstead Theatre); Dear Elizabeth; The Letters Project (Gate Theatre); In the Blood (Donmar Warehouse); Chiaroscuro (Bush Theatre); Summer Rolls (Park Theatre).

Opera includes: Falstaff (Opera Berbiguieres, France); The Imperfect Pearl (Corn Exchange Newbury/ St George’s Bristol/ Kings Place/ UK tour).

Dance includes: Peaky Blinders: The Redemption of Thomas Shelby (Rambert); Human Wall (V&A); Beats’n’Shine (Mudam).

Peter is a freelance Sound Designer for Theatre & Short Film. He is Course Leader for Sound Design & Production at the Royal Central School of Speech and Drama, Chair of the Association for Sound Design and Production, Sound Associate for NYX Electronic Drone Choir, and a founder member of Stage Sight. Peter also produces and presents the podcast ‘Conversations with Sound Designers’. 

For the Almeida: King Lear; A Streetcar Named Desire (also West End); The Tragedy of Macbeth; The Tragedy of King Richard II; Oil. 

Theatre includes: House of Bernarda Alba; Deep Blue Sea; On The Shore Of The Wide World (National Theatre); Jesus Hopped The ‘A’ Train; Yellowman; It’s All Kicking Off Everywhere; Trade; Barbarians; Fireface (Young Vic); This Is Not Who I Am; Gundog; Nuclear War (Royal Court); A Streetcar Named Desire; Hamlet; Scuttlers; The Last Days of Troy; Blindsided; That Day We Sang; Cannibals; Orpheus Descending; Saturday Night/Sunday Morning; Black Roses (Royal Exchange Theatre, Manchester); Masque Of Anarchy (Manchester International Festival); Miss Julie; Black Comedy (Chichester Festival Theatre); The Fruit Trilogy (Southbank Centre/ West Yorkshire Playhouse); Romeo and Juliet (Sheffield Theatres); The Funfair (HOME, Manchester).  

Film includes: Fellow Creatures; Snapshots; Drown; Grin; Swansong; G.O.D.; Glue.