Patriots: Broadway

Artistic Director of the Almeida Theatre, founding Artistic Director of Headlong (2005 to 2013), Associate Director at the RSC and Artistic Director of Northampton Theatres (2002 to 2005). 

For the Almeida: Women, Beware the Devil; Tammy Faye; Patriots (also West End); Spring Awakening; Albion; The Hunt; Shipwreck; Richard III; Medea; The Merchant of Venice; The Last Days of Judas Iscariot; American Psycho (also Broadway); Ink; King Charles III (also West End/ Broadway). 

Theatre includes: Dear England (National Theatre/ West End); The 47th (The Old Vic); The Effect; Earthquakes in London (Headlong/ National Theatre); Time and the Conways (National Theatre); The Lion, the Witch and the Wardrobe (Kensington Gardens); The Merchant of Venice; Romeo and Juliet; Speaking Like Magpies (RSC); ENRON (Headlong/ West End/ Broadway); Made in Dagenham; Oliver!; The Glass Menagerie; No Man’s Land (West End); King Lear (Headlong/ Liverpool Everyman/ Young Vic); Six Characters in Search of an Author (Headlong/ West End); Macbeth (Chichester Festival Theatre/ West End/ Broadway). 

Film includes: Judy; True Story. 

Television includes: Macbeth; King Charles III; Richard II. 

Opera includes: Turandot (ENO); Le Comte Ory (Garsington Opera).  

Rupert has received Olivier, Critics’ Circle and Evening Standard awards for Best Director twice and won a Peabody Award in 2011 for Macbeth. Rupert received a CBE in 2017 New Year’s Honours for services to drama. 

For the Almeida as Designer: Patriots; Spring Awakening; Hymn; Albion; Shipwreck; Machinal; Boy; Game; When the Rain Stops Falling; Judgement Day.

Theatre and Dance as Designer includes: The 47^th (The Old Vic); King Lear; To Kill a Mockingbird; Three Tall Women; A Doll’s House 2; The Children (Broadway); The Jungle (Young Vic/ West End/ St Ann’s Warehouse); The Trial; Public Enemy; Wild Swans; The Government Inspector; The Good Soul of Szechuan; Generations, Measure for Measure (Young Vic); Glass. Kill. Blubeard. Imp.; Sucker Punch; Cock; In the Republic of Happiness; Get Santa! (Royal Court); The Children; Escaped Alone; Love and Information (Royal Court/ Minetta Lane Theatre); Sunny Afternoon; Bend it Like Beckham (West End); Chariots of Fire (Hampstead Theatre/ West End); The Father (Theatre Royal Bath); The Effect; Earthquakes in London (National Theatre).

Opera as Designer includes: La Fanciulla Del West (ENO/ Santa Fe Opera); Turandot; Wozzeck (ENO); Aida, Suor Angelica (Royal Opera House, as Set Designer); Anna Nicole (Royal Opera House/ BAM, New York); Boris Godunov (Berlin Opera).

Miriam received the Evening Standard Best Design Award in 2010 for Earthquakes in London and Sucker Punch, and in 2018 for The Jungle.

Adam is composer and co‐lyricist of the documentary musical London Road which had an extended run at the National Theatre Cottesloe before transferring to the Olivier auditorium. He received a Tony Award in 2010 for his music and sound score for Red (Donmar Warehouse/ Broadway) and an Olivier Award in 2011 for King Lear (Donmar Warehouse). Adam received the 2011 Evening Standard Award ‘Best Design’ for Anna Christie and King Lear (Donmar Warehouse) and the 2011 Critics’ Circle ‘Best Musical’ for London Road. He was also nominated in 2010 for the Tony Award ‘Best Score (Music & Lyrics)’ for ENRON (Broadway/ West End).

For the Almeida: Patriots; The Hunt; Ink (also West End/ Broadway).

Theatre includes: The 47^th (The Old Vic); The Shark is Broken; Leopoldstadt; Who’s Afraid of Virginia Woolf?; No Man’s Land; Photograph 51; Don Carlos; Suddenly Last Summer (West End); Travesties (Menier Chocolate Factory/ West End/ Broadway); Les Blancs; Three Days in the Country (National Theatre); Frost/Nixon (Donmar Warehouse/ West End/ Broadway); Ivanov (Donmar Warehouse/ West End); The Chalk Garden; Creditors; The Wild Duck; Caligula (Donmar Warehouse).

Film includes: Genius; London Road.

Television includes: The Hollow Crown; Macbeth; Frances Tuesday; Re-ignited; Imprints.