Rhinoceros
By Eugène Ionesco, Translated and Directed by Omar Elerian
Event details
Tue 25 Mar - Sat 26 Apr 2025
Featured in The Guardian’s best theatre to see in 2025
Who knows what is good and what is evil? You’re only concerned with yourself. That’s the truth. But you’ll never really become a rhinoceros… you haven’t got the chops!
A provincial town in France.
Jean meets his friend Berenger for a drink, but things take an unexpected turn when a rhinoceros charges through the town square. After all, there are no rhinoceroses in France, right?
Suddenly, one by one the townspeople are transforming into the thing they first feared. An epidemic has taken hold and rhinoceritis is spreading like wildfire, until there are almost no human beings left.
Following his ★★★★★ (The Telegraph) production of The Chairs, Omar Elerian directs BAFTA nominee Ṣọpẹ́ Dìrísù (Gangs of London; His House) in his new version of Eugène Ionesco’s absurdist satire about resisting conformity and holding onto what’s left of our humanity as we resist the rumbling power of the herd.
Running Time Approx. 2 hours and 40 mins incl. an interval
Evenings 7.30pm
Matinees 2pm
Content Warnings Read more about our production guidance and warnings>

How to get tickets
Many performances are currently sold out or have limited availability, but you might still be able to get tickets.

Cast & Creatives
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Cast
John BiddleJohn Biddle
John Biddle
John worked as a classical singer for several years before turning his focus to theatre projects as an actor, composer and sound designer.
Theatre includes: Possible (National Theatre Wales); Henry V (Unicorn Theatre); Islands (Bush Theatre); The Nutcracker (Nuffield Southampton Theatres); Alice (Sheffield Theatres); The Nutcracker; Heidi: A Goat’s Tale; The French Detective and the Blue Dog; Alice Through The Looking Glass (Theatre Royal Bath); Songs For the End of the World (Battersea Arts Centre/ UK tour); Romeo and Juliet (Night Light Theatre); The Wonderful Wizard of Oz (The Dukes, Lancaster); We All Fall Down; The Shelter; The Ignatius Trail (en masse theatre).
Television includes: The Time of Your Life; The Amazing Dermot.
Radio includes: The Diary of Samuel Pepys; One Night in Paradise; Paradigm; The Forgotten; In the Family.
Hayley CarmichaelHayley Carmichael
Hayley Carmichael
For the Almeida: Mr Puntila and His Man Matti.
Theatre includes: The Cat and the Canary; Home (Chichester Festival Theatre); Richard III (Shakespeare’s Globe); Shed (Royal Exchange Theatre, Manchester); The Killing of Sister George (New Vic Theatre); Super High Resolution (Soho Theatre); Why; The Prisoner; Fragments (Les Bouffes des Nord); Beyond Caring (Yard Theatre); Hamlet (Young Vic); Bliss (Royal Court); Casanova (Told by an Idiot/ Lyric Hammersmith); The Fahrenheit Twins (Told by an Idiot/ Barbican); Zumanity (Cirque du Soleil); Street of Crocodiles (Complicité/ National Theatre).
Film includes: Tonight the World; Undergods; Casanova, Last Love; The Tale of Tales; Paddington; The Emperor’s New Clothes.
Television includes: Silent Witness; Landscapers; Les Misérables; Witness for the Prosecution; Chewing Gum; Our Zoo.
Hayley is co-founder of Told by an Idiot theatre company.
Ṣọpẹ́ DìrísùṢọpẹ́ Dìrísù
Ṣọpẹ́ Dìrísù
Theatre includes: Death of a Salesman (West End); The Brothers Size (Young Vic); One Night in Miami (Donmar Warehouse); Coriolanus (Barbican); The Whipping Man (Theatre Royal Plymouth).
Film includes: The Gorge; Mr. Malcolm’s List; Haven: Above Sky; Silent Night; His House (BAFTA EE Rising Star Award nomination and British Independent Film Award nomination for Best Actor); Sand Castle; The Huntsman; Criminal.
Television includes: Gangs of London; Slow Horses; State of the Union; Humans; Next of Kin; The Halcyon; Black Mirror.
Paul HunterPaul Hunter
Paul Hunter
Paul is co-founder and Artistic Director of Told by an Idiot theatre company.
Theatre includes: Cowbois (RSC/ Royal Court); Robin Hood: The Legend. Re-written (Regent’s Park Open Air Theatre); La Cage aux Folles (Park Theatre); Wise Children (The Old Vic/ UK tour); Life of Galileo (Young Vic); My Perfect Mind (Told by an Idiot/ Young Vic/ Teatre Lliure, Barcelona/ 59
E59, New York); The Little Match Girl; The Mystery Plays; Much Ado About Nothing; Troilus and Cressida; A Midsummer Night’s Dream; Under the Black Flag (Shakespeare’s Globe); Gaslight (Royal & Derngate, Northampton); Tartuffe (Birmingham Rep); The Play What I Wrote (West End); Napoleon Disrobed; The Fahrenheit Twins (Told by an Idiot/ Barbican); Don’t Laugh – It’s My Life; You Haven’t Embraced Me Yet; I’m So Big; On The Verge of Exploding (Told by an Idiot/ International tou/ UK tour); Nocturnal (Gate Theatre); Rapunzel (UK tour/ New Victory Theater, New York); The Red Shoes (Battersea Arts Centre); Oliver Twist; Aladdin; Pinocchio (Lyric Hammersmith); Playing the Victim (Told by an Idiot/ Traverse Theatre, Edinburgh/ Royal Court).
Film includes: Bridget Jones: Mad About the Boy; My Mother’s Wedding; The Continental; Princess and Peppernose; Cyrano; The Birth of Valerie Venue; Denial; This Beautiful Fantastic; Pan; Cinderella; Maleficent; Snow White and the Huntsman; Pirates of the Caribbean; One Day.
Television includes: Masters of the Air; The Great; Bridgerton; Quiz; Midsomer Murders; Still Open All Hours; Marvellous; Wizards vs. Aliens.
Anoushka LucasAnoushka Lucas
Anoushka Lucas
Anoushka is a singer, songwriter, actor and playwright. She is currently working on her second album.
Theatre includes: A Face in the Crowd; The Crucible (Sheffield Theatres); Oklahoma! (Young Vic/ West End, Olivier Award nomination for Best Actress); Elephant (Stage Debut Award for Best Writer and Evening Standard Award nomination for Most Promising Playwright); Chiaroscuro (Bush Theatre); Henry V (Donmar Warehouse); Dear Elizabeth; Faces in the Crowd (Gate Theatre); After Life (National Theatre, Black British Theatre Award nomination for Best Actress); Jesus Christ Superstar (Regent’s Park Open Air Theatre); Sparks (Pleasance Theatre/ Edinburgh Fringe).
Film includes: What We Wished We Could Be.
Radio includes: Sparks; U.Me.
Music includes: Dark Soul.
Joshua McGuireJoshua McGuire
Joshua McGuire
Theatre includes: I’m Not Running; The Magistrate (National Theatre); Rosencrantz and Guildenstern are Dead; Future Conditional (The Old Vic); The Ruling Class (West End); Amadeus (Chichester Festival Theatre); Privacy (Donmar Warehouse); Posh (Royal Court/ West End); Hamlet (Shakespeare’s Globe/ International tour); Hay Fever (Rose Theatre Kingston).
Film includes: Blitz; Sweet Sue; North Star; Saltburn; The Duke; All My Friends Hate Me; Artemis Fowl; The Happy Prince; Old Boys; Get Santa; Cinderella; Mr. Turner; About Time.
Television includes: The Famous Five; The Gold; The Gray House; The Gentlemen; The Man Who Fell To Earth; Ten Percent; Anatomy of a Scandal; Cheaters; Industry; Grace Under Pressure; Patriot; Lovesick; Love, Nina; Siblings; You, Me and Them; A Young Doctor’s Notebook; The Hour; The Bleak Old Shop of Stuff; Misfits.
Radio includes: Artist Descending a Staircase; Pride and Prejudice.
Sophie SteerSophie Steer
Sophie Steer
Sophie was born and raised in Norfolk. She trained at LAMDA.
Theatre includes: Mnemonic (Complicité/ National Theatre); Drive Your Plow Over the Bones of the Dead (Complicité/ Barbican/ European tour); Exodus (National Theatre of Scotland); Civilisation (Dresden Staatsschauspiel, Jury Award Winner); Lands (Bush Theatre/ Jasmine Woodcock Stewart Company); Dinomania; Still Ill (Kandinsky Theatre/ New Diorama Theatre); It’s True, It’s True, It’s True; Tank (UK tour); Buckets (Orange Tree Theatre); Sparks (Old Red Lion Theatre).
Film includes: Days of Bagnold Summer.
Television includes: It’s True, It’s True, It’s True; Chickens.
Alan WilliamsAlan Williams
Alan Williams
For the Almeida: Three Sisters; The Jew of Malta; Mary Stuart (also West End/ UK tour).
Theatre includes: The Invention of Love (Hampstead Theatre); Jerusalem (West End); Dr Semmelweis (Bristol Old Vic/ West End); Till The Stars Come Down; Faith, Hope and Charity; As You Like It; Light Shining in Buckinghamshire; Every Good Boy Deserves Favour (National Theatre); War Horse (National Theatre/ West End); Gundog; Crave; Lucky Dog; Under the Whaleback; Terrorism; Black Milk (Royal Court); The Crucible (West Yorkshire Playhouse); Krapp’s Last Tape; The Cockroach Trilogy (Hull Truck Theatre); A Thousand Stars Explode in the Sky; The Birthday Party (Lyric Hammersmith); The Scarlet Letter; The Sea (Chichester Festival Theatre); A Tale of Two Cities; Having a Ball (Liverpool Everyman & Playhouse).
Film includes: Sometimes Always Never; Peterloo; Trespass Against Us; War Horse; London Boulevard; Grow Your Own; Vera Drake; Bright Young Things; All Or Nothing; Heartlands; Elephant Juice; Among Giants; The Cockroach That Ate Cincinnati.
Television includes: Beyond Paradise; Without Sin; Inside Man; The Long Call; Grantchester; Cold Feet; The Capture; Chernobyl; The Crown; Endeavour; Starlings; Utopia; Luther; Shameless; The Crimson Petal and the White; Vera; Mutual Friends; Spooks; Love in a Cold Climate; The Mayor of Casterbridge; Touching Evil; Wycliffe.
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Creatives
Eugène Ionesco
Writer
Omar ElerianOmar Elerian
Translator and Director
Omar Elerian
Omar is a freelance director, dramaturg and theatre-maker. He was the resident Associate Director at the Bush Theatre from 2012 to 2019. Italian of Palestinian descent, Omar trained in Italy before graduating from Lecoq International Theatre School in Paris in 2005.
For the Almeida: The Chairs.
Theatre includes:
As Director: The Long Shadow of Alois Brunner (Factory International); two Palestinians go dogging (Olivier Award nomination for Outstanding Achievement in Affiliate Theatre); ECHO (Royal Court); Nowhere (Battersea Arts Centre); As You Like It (RSC); Misty (Bush Theatre/ West End); Nassim (Bush Theatre/ Traverse Theatre, Edinburgh/ International tour); You’re Not Like The Other Girls Chrissy (Olivier Award nomination for Outstanding Achievement in Affiliate Theatre); Going Through; Islands (Bush Theatre).
As Co-Creator: The Mill: City of Dreams: City of Dreams (Drummonds Mill, Bradford).
Ana Inés Jabares-PitaAna Inés Jabares-Pita
Set and Costume Designer
Ana Inés Jabares-Pita
Ana is a Spanish designer based in London. She works extensively in opera, dance, theatre, fine arts, music and film. She won The Linbury Prize for Stage Design in 2013 and Hechos de Talento in 2015, becoming an ambassador for Spanish design.
Theatre includes:
As Costume and Set Designer: The Fair Maid of the West; As You Like It (RSC); Pride & Prejudice* (*sort of) (West End/ Tron Theatre/ UK tour); The Grand Old Opera House Hotel (Traverse Theatre, Edinburgh); The Lovely Bones (Birmingham Rep/ UK tour); The Driver’s Seat (National Theatre of Scotland); Wish List (Royal Exchange Theatre, Manchester/ Royal Court); Lela & Co (Royal Court); The Echo Chamber (Young Vic); Idomeneus (Gate Theatre).
As Set Designer: Burn (National Theatre of Scotland/ The Joyce Theater, NYC).
Opera includes:
As Costume and Set Designer: Uprising; The Wreckers (Glyndebourne); Breaking The Waves (Theater St. Gallen, Switzerland); In Flagrante (Scottish Opera); The Flying Dutchman (UK tour); Elixir of Love (Waterperry Opera Festival); To See The Invisible (Aldeburgh Festival).
Dance includes:
As Costume and Set Designer: West Side Story Symphonic Dances (Phoenix Dance Theatre/ Opera North); The Art of Violence; Animalis (Dulwich Picture Gallery).
Jackie ShemeshJackie Shemesh
Lighting Designer
Jackie Shemesh
Jackie is a lighting designer for theatre, dance and opera.
For the Almeida: The Chairs; Uncle Vanya; Mary Stuart (also West End/ UK tour).
Theatre includes: Death of England: Trilogy (National Theatre/ West End); Hansard (National Theatre); Ben and Imo; As You Like It (RSC); two Palestinians go dogging; ECHO (Royal Court); The Seagull (West End); The Beloved; Islands (Bush Theatre); Misty (Bush Theatre/ West End); What if Women Ruled the World?; Ceremony (Manchester International Festival); White Noise (Bridge Theatre); Changing Destiny; In the Penal Colony; A Face in the Crowd; Oh My Sweet Land (Young Vic).
Opera Includes: Orpheus (Opera North); Ulysses (Grange Opera); Violet (Aldeburgh Festival).
Dance Includes: Ruination (Royal Opera House); Goat; Cerberus; Death Trap (Rambert); The Ways, The Fortune, The Fall (Chapter, Cardiff); Continual Cry (Jamila Jonson-Small); Picnic; White Hare; Run Mary Run; 8 Minutes (Sadler’s Wells); Beheld; Hot Mess; Let’s Talk About Dis (Candoco Dance Company); The Murmuring; Young Men (BalletBoyz).
Elena PeñaElena Peña
Sound Designer
Elena Peña
For the Almeida: The Chairs.
Theatre includes: A Good House (Bristol Old Vic/ Royal Court/ Market Theatre, Johannesburg); The Legends of Them (Royal Court/ Hackney Showroom); A Tupperware of Ashes; The Hot Wing King; Trouble in Mind (National Theatre); The Wedding Band (Lyric Hammersmith); Sweat; Nora: A Doll’s House (Royal Exchange Theatre, Manchester); Liberation Squares (Nottingham Playhouse); Cinderella (Brixton House); The Magic Finger (Unicorn Theatre); Blue Mist (Olivier Award nomination for Outstanding Achievement in Affiliate Theatre); Baghdaddy; two Palestinians go dogging; Maryland; Living Newspaper: Edition 2 (Royal Court); As You Like It (RSC); Wuthering Heights (China Plate/ UK tour); Songs From Across the Sueniverse (Sherman Theatre, Cardiff); Misty (Bush Theatre/ West End/ The Shed, New York); seven methods of killing kylie jenner (Royal Court/ Riksteatern, Sweden); Silence (Donmar Warehouse/ Tara Theatre); The Darkest Part of the Night; Reason’s You Should(n’t) Love Me; Snowflake (Kiln Theatre); Rockets and Blue Lights (National Theatre/ Royal Exchange Theatre, Manchester); Antigone; Women of Troy (LAMDA); Open Mic (ETT/ Soho Theatre); We’re Stuck (The New Wolsey Theatre, Ipswich); Autoreverse (Battersea Arts Centre).
Television includes: Brainstorm; The Astro Science Challenge; Have Your Circumstances Changed?.
Dance includes: Patrias; Quimeras (Sadler’s Wells).
Radio includes: Duchamp Urinal; The Meet Cute; Twelve Years.
Toby SedgwickToby Sedgwick
Choreographer and Movement Director
Toby Sedgwick
Toby trained at the Jacques Lecoq School in Paris, where he founded The Moving Picture Mime Show, a global innovator of physical theatre. He has worked internationally and extensively in UK theatres such as the RSC, National Theatre, Chichester Festival Theatre and Royal Exchange Theare, Manchester. As Director of Movement and Choreography he collaborated with Danny Boyle on Frankenstein (National Theatre), the London 2012 Olympic Opening Ceremony, TV series Pistol and the films 28 Days Later and 28 Years Later.
For the Almeida:
As an actor: The Chairs.
Theatre includes:
As Movement Director: Drive Your Plow Over the Bones of the Dead (Complicité); The 39 Steps (West End/ Broadway); War Horse (Global, Olivier Award for Best Theatre Choreographer); A Dog’s Heart (De Nederlandse Opera); Il Barbiere di Siviglia (Glyndebourne); The Mill for Ockhams Razor (Royal Opera House/ UK tour).
As an actor: War Horse (National Theatre/ West End); Animal Crackers (West End); The Play What I Wrote (UK tour); Master and Margarita; Out of a House; Help I’m Alive; Light; Noise of Time (Complicité); The Government Inspector (Chichester Festival Theatre).
Film includes: Vacuums; Laissez Passer; Shrooms; Nanny McPhee and the Big Bang; Stan and Ollie; The Buccaneers.
John BiddleJohn Biddle
Musical Director and Original Music
John Biddle
John worked as a classical singer for several years before turning his focus to theatre projects as an actor, composer and sound designer.
Theatre includes: Land behind the Curtain (Junges Ensemble Stuttgart, Germany); Lord of the Flies; Mr Snow; Oliver Twist; A Christmas Carol; Queen of Chapeltown (Leeds Playhouse); Much Ado About Nothing (Sheffield Theatres); Nine Night (Leeds Playhouse/ Nottingham Playhouse); Possible (National Theatre Wales); Frankenstein; The Murder on the Links (L.A. Theatre Works, Los Angeles); The Borrowers; Pinocchio; The Railway Children; Peter Pan; Oliver Twist; Treasure Island (Hull Truck Theatre); Nothing Happens (Twice); The Ladder (UK tour); The Borrowers; Henry V; Twelfth Night; Swallows and Amazons (Storyhouse, Chester); Muckers (Condeduque Madrid/ Theatre Royal Bath); Unconditional (Edinburgh Fringe); Still Waiting (VAULT Festival); The Life and Times of Mitchell and Kenyon (Oldham Coliseum Theatre); The Queen’s Knickers (Southbank Centre/ Theatre Royal Bath); The Gift and The Glory (The Dukes, Lancaster).
Radio includes: Exodus to Shanghai; Cracking; The Willows; Your Call; Ignite Radio Shorts.
Podcasts include: Discover Your Inner Astronaut; Hack Your Body Heal Your Mind; Dead Honest.
Robin Fisher
Video Content
Amy Ball CDGAmy Ball CDG
Casting Director
Amy Ball CDG
For the Almeida: Otherland; Look Back in Anger; Roots; The Years (also West End); Alma Mater; Cold War; Portia Coughlan; Women, Beware the Devil; “Daddy” A Melodrama; Albion; The Hunt; Shipwreck; Dance Nation; Boy.
Theatre includes: Hamnet (RSC); Unicorn; Slave Play; Lyonesse; The Hills of California; Jerusalem; Leopoldstadt; Uncle Vanya; Who’s Afraid of Virginia Woolf?; The Night of the Iguana; Rosmersholm; True West; The Goat, or Who is Sylvia?; The Pillowman (West End); The Son (Kiln Theatre/ West End); Sweat (Donmar Warehouse/ West End); The Ferryman (Royal Court/ Broadway/ West End); The Moderate Soprano (Hampstead Theatre/ West End); The Birthday Party; Consent (National Theatre/ West End); Hangmen (Royal Court/ West End/ Atlantic Theater Company); Berberian Sound Studio (Donmar Warehouse); Stories; Exit the King (National Theatre); White Noise; A Very Very Very Dark Matter (Bridge Theatre); The Brothers Size (Young Vic); Maryland; ear for eye; Girls & Boys; Cyprus Avenue (Royal Court).
Peter ToddPeter Todd
Costume Supervisor
Peter Todd
For the Almeida:
As Costume Supervisor: Cold War; Portia Coughlan; Women Beware the Devil; The Hunt.
As Costume Designer: “Daddy” A Melodrama.
Theatre includes:
As Costume Supervisor: Natasha, Pierre and the Great Comet of 1812 (Donmar Warehouse); Stories; As You Like It (National Theatre); Julius Caesar (Bridge Theatre); Prisoner of the State; Dead Man Walking (Barbican); People, Places and Things (Headlong/ National Theatre); A Pacifists’ Guide to the War on Cancer (Complicité/ National Theatre).
As Costume Designer: The Snow Queen; Hansel and Gretel; Alice in Winterland (Rose Theatre Kingston).
Opera includes:
As Costume Supervisor: Semele; Trouble In Tahiti / A Quiet Place; Il Trovatore; The Rape of Lucretia; La Forza Del Destino; La Traviata; Salome (Royal Opera House).
Dance includes:
As Costume Supervisor: Flight Pattern; Unearthed; Don Quixote; Sleeping Beauty; The Nutcracker (Royal Ballet); Lest We Forget; Le Corsaire (English National Ballet).
As Costume Designer: Double Murder (Hofesh Shechter Company); Voices and Light Footsteps; Chacony (Richard Alston Dance Company); The Waiting Game (Ballet Black).
Georgia MurphyGeorgia Murphy
Associate Director
Georgia Murphy
Georgia is a director, writer and theatre maker specialising in new writing, devised work and comedy. She was the resident Associate Director at Octagon Theatre and her work has toured the UK and internationally. She trained at Ecole Philippe Gaulier and her most recent comedy Garry Starr: Classic Penguins was among The Guardian’s Best Comedy Shows of 2024.Theatre includes:
As Director: Garry Starr Classic Penguins (UK tour/ International tour); 1 in a Chameleon (Summerhall Festival); Alfie the Elf’s Christmas Rescue; Hibernation; Long Strong Hair; A Christmas Carol (Octagon Theatre, Bolton); The Beauty of Being Herd; Ryan Lane Will Be There Now In a Minute; Frills and Spills; The Astonishing Singing Fish!; Ellie and the Enormous Sneeze; Dr Zeiffal, Dr Zeigal and the Hippo That Can Never Be Caught! (UK tour); Valentina Star Dreamer (The Place); Charlie and the Christmas Cat (Lichfield Garrick Theatre); Totori Zeiffal (Finland tour); SUPERFUNADVENTURETIMES (Camden People’s Theatre).
As Associate Director: Spring and Port Wine; The Book Thief; One Man, Two Guvnors (Octagon Theatre, Bolton); Spymonkey’s A Christmas Carol (Liverpool Everyman & Playhouse).
Opera includes:
As Director: Supermies (Finnish National Opera and Ballet).
Anna Kelsey
Design Assistant
Aija Pozemkovska
Design Placement

Access Performances
Audio Described Sat 19 Apr 2pm (Touch Tour 12pm)
Captioned Tue 22 Apr 7.30pm
Dementia Friendly Wed 23 Apr 2pm
Relaxed Environment Wed 23 Apr 7.30pm
Concessions
All concession tickets are limited and subject to availability. Proof of eligibility is required. Concessions in the final week of performances are only valid on access performances or for Deaf and disabled bookings. More info
Deaf and disabled patrons and a companion can buy discounted tickets by calling the Box Office on 020 7359 4404 or email boxoffice@almeida.co.uk.
£5 tickets will be available to those aged 25 and under for performances from Tue 25 – Mon 31 Mar. Enter code 25UNDER when selecting your seats. Tickets are limited to two per booker and go on sale here at 5pm on Thu 6 Mar.
If you are aged 30 or under, over 65 or are unemployed you can book tickets at a discounted rate. Not applicable on Fri or Sat evenings.
If you live or work in the Islington area you can book best available seats for £25 for performances from Tue 25 – Mon 31 Mar and Wed 2 Apr subject to availability. Enter promo code ISFIRST when selecting your seats. Find applicable postcodes here.
Talks & Events
Talkback
After Thu 17 Apr performance
A post-show talk with members of the company. Free to same-day ticket holders.
Almeida For Free
Thu 10 Apr 7.30pm
A free performance for those aged 25 and under. More info >
Supporters
Rhinoceros is generously supported by Dianne Roberts.
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Artwork photography by Andy Gotts. Concept by Studio Doug.