Cleansed

Rebecca is a multi-Olivier Award-winning director, who has directed in the UK and internationally. She is Associate Director at the Almeida Theatre and was previously on the Almeida’s Resident Director scheme supported by the Eranda Rothschild Foundation.

For the Almeida: Cat on a Hot Tin Roof; Romeo and Juliet; A Streetcar Named Desire (also West End/ BAM, New York, Olivier Award Winner for Best Revival and Olivier Award nomination for Best Director); Nine Lessons and Carols: stories for a long winter; The Duchess of Malfi; Three Sisters; Summer and Smoke (also West End, Olivier Award for Best Revival and Olivier Award nomination for Best Director).

Theatre includes: Cabaret at the Kit Kat Club (West End/ Broadway, seven Olivier Awards including Best Director and Best Musical Revival, nine Tony Award nominations including Best Revival of a Musical and Critics’ Circle Award for Best Director); Julie (ITA); The House of Bernarda Alba (National Theatre); Sanctuary City (New York Theatre Workshop, Drama Desk Award for Outstanding Director of a Play); Julie (Northern Stage).

Theatre includes: Amélie the Musical (West End/ The Other Palace/ Watermill Theatre/ UK tour, Olivier Award nomination for Best New Musical); The Windsors: Endgame; The Importance of Being Earnest (West End); The Winter’s Tale; Always Orange; Fall of the Kingdom, Rise of the Foot Soldier; Revolt, She SaidThe Ant and the Cicada (RSC); Valued Friends (Rose Theatre Kingston); Embrace (Birmingham Royal Ballet/ Sadler’s Wells); CinderELLA: A New Musical (Nuffield Southampton Theatres); The Taming of the Shrew (Sherman Theatre/ Tron Theatre); Blue Door (Theatre Royal Bath); The Weir (ETT); Steel (Sheffield Theatres); Julie (Northern Stage); The Double Dealer; Little Light (Orange Tree Theatre); Kindertransport; A Skull in Connemara; Time and the Conways (Nottingham Playhouse); The Open House (Theatre Royal Bath/ Print Room); The Shape of the Pain (China Plate Theatre); Go Between (Young Vic); Rosencrantz and Guildenstern Are Dead (Shanghai Dramatic Arts Centre); Right Now (Theatre Royal Bath/ Bush Theatre/ Traverse Theatre); The Harvest (Theatre Royal Bath/ Soho Theatre); The Chronicles of Kalki (Gate Theatre).

Awards include Broadway World UK Award for Best Set Design of a New Production of a Play or Musical (Amélie the Musical).

Debbie Duru is a designer for performance spaces.

Theatre includes:

As Costume Designer: Alice in Wonderland (Brixton House, Offie Nomination for Costume Design).

As Set & Costume Designer: Run Rebel (Pilot Theatre/ Mercury Theatre); Ravenscourt (Hampstead Theatre); The White Card (Northern Stage); Two Billion Beats (Orange Tree Theatre); The Song Project (Royal Court); . . .cake
(Theatre Peckham); Dagny Wants to Dance (Bureau of Silly Ideas); Josephine (Theatre Royal Bath).

As Associate Set Designer: Mandela (Young Vic); Get Up Stand Up! The Bob Marley Musical (West End); Dick Whittington (National Theatre).

For the Almeida: Romans, a novel; Cat on a Hot Tin Roof; Roots; Look Back in Anger; King Lear; Romeo and Juliet; A Streetcar Named Desire (also West End/ BAM, New York); Summer and Smoke (also West End); Dance Nation.

Theatre includes: Constellations (West End/ Broadway/ Royal Court); Jesus Christ Superstar (Regent’s Park Open Air Theatre/ US tour/ Barbican); Next to Normal (West End/ Donmar Warehouse); Player Kings (West End/ UK tour); Henry V; Berberian Sound Studio (Donmar Warehouse); The House of Bernarda Alba; The Welkin; Mr Gum and the Dancing Bear – The Musical!; Protest Song (National Theatre); Britannicus (Lyric Hammersmith); Titus Andronicus; Julius Caesar (RSC); The Song Project; Gundog; X; Linda (Royal Court); The Glass Menagerie; West Side Story (Royal Exchange Theatre, Manchester); The Two Character Play (Hampstead Theatre); This Bitter Earth (Soho Theatre); Harm (Bush Theatre); BURGERZ (Hackney Showroom).

Opera includes: Orphée et Eurydice (Royal Opera House); Aida; Fidelio; Nothing (Royal Danish Opera); Tosca (Opera North/ Opera Australia).

Dance includes: Cycles, Blak Whyte Gray (Boy Blue); The Limit (Royal Opera House); We Are As Gods (James Cousins Company); Enowate (Dickson Mbi); Sun; Political Mother; In Your Rooms; Uprising (Hofesh Shechter Company); Untouchable (Royal Ballet); Grey Matter; Tomorrow (Rambert).

For the Almeida: The Duchess of Malfi; Three Sisters.  

Theatre includes: The Homecoming (Olivier Award nomination for Best Sound Design); The Seagull; Lemons Lemons Lemons Lemons Lemons; The Importance of Being Earnest; Pinter at the Pinter (West End); Nine Night (West End/ National Theatre); Sweat (West End/ Donmar Warehouse); English (Kiln Theatre/ RSC); Love’s Labour’s Lost; Venice Preserved (RSC); The Effect (National Theatre/ The Shed, New York); Blues for an Alabama Sky; An Octoroon (National Theatre); The Homecoming; Further than the Furthest Thing; The Mountaintop (Young Vic); Clyde’s (Donmar Warehouse); Mom, How Did You Meet The Beatles; Sing Yer Heart Out For The Lads; The Deep Blue Sea; The Norman Conquests (Chichester Festival Theatre); Glee & Me (Royal Exchange Theatre, Manchester); Straight Line Crazy (Bridge Theatre/ The Shed, New York); The Southbury Child; Two Ladies (Bridge Theatre); Talent; Frost/Nixon; Tribes (Sheffield Theatres); Hedda Tesman; Spring Awakening (Headlong); Much Ado About Nothing; Imogen; The Taming of the Shrew (Shakespeare’s Globe); Harrogate; Fireworks; Liberian Girl (Royal Court); Julie (Internationaal Theater Amsterdam). 

Angus recently composed the 75-minute original prologue for the West End and Broadway productions of Cabaret. He has released several albums, including Vivarium, MMXIX and Cry Wolf.

For the Almeida: A Streetcar Named Desire (also West End); Three Sisters; Summer and Smoke (also West End).

Theatre includes: Coriolanus (National Theatre); Cabaret (West End/ Broadway); Swive (Shakespeare’s Globe); The Mountaintop (New Vic Theatre); Kite (Soho Theatre); The Father (West End); I am A Camera (Southwark Playhouse); Dream of Perfect Sleep (Finborough Theatre).

Film includes: When I’m Done Dying; Fighting For A City; Little; The Snail Man; Confection; Lost Boy; The Listener; Interlude.

Television includes: Gypsy’s Revenge; The Trials.

Dance includes: exisTence (Hessische Staatsballett); 공·空·Zero: Restriction, Body and Time (ARKO Arts Theatre, Seoul); Out Late (UK tour); What the Moon Saw; From Above (2Faced Dance Company/ International tour); Vestige (The Place); Traces Imprinted (Ballet Cymru).

Ingrid Mackinnon is a London-based movement director, choreographer and intimacy director.

Theatre includes:

As Movement Director and Choreographer: Choir Boy (Bristol Old Vic); Shooting Hedda Gabler (Rose Theatre Kingston); That Face (Orange Tree Theatre); Every Leaf A Hallelujah (Regent’s Park Open Air Theatre); Romeo and Juliet (Regent’s Park Open Air Theatre, Black British Theatre Award for Best Choreographer); The Meaning of Zong (Barbican/ Bristol Old Vic/ UK tour); Blue (ENO); Further than the Furthest Thing (Young Vic); Trouble in Butetown (Donmar Warehouse); Enough of Him (National Theatre of Scotland); A Dead Body In Taos (Fuel); The Darkest Part of the Night; Girl on an Altar (Kiln Theatre); Playboy of the West Indies (Birmingham Rep); Moreno (Theatre503); Red Riding Hood (Theatre Royal Stratford East).

As Intimacy Director or Support: Choir Boy (Bristol Old Vic); Shooting Hedda Gabler (Rose Theatre Kingston); Sunset Boulevard; Tina – The Tina Turner Musical (West End); That Face (Orange Tree Theatre); The Effect; Phaedra (National Theatre); La Cage aux Folles; Robin Hood; The Tempest; Every Leaf A Hallelujah; Once on This Island; Antigone; 101 Dalmatians; Legally Blonde; Carousel (Regent’s Park Open Air Theatre).

For the Almeida:  Cat on a Hot Tin Roof; King Lear; Romeo and Juliet; A Streetcar Named Desire (also West End); The Clinic; The Tragedy of Macbeth; The Duchess of Malfi; The Doctor (also West End); Three Sisters; The Wild Duck; Machinal; The Writer; Summer and Smoke (also West End); The Twilight Zone (also West End); The Treatment; Hamlet (also West End/ Park Avenue Armory, New York); Mary Stuart (also West End/ Park Avenue Armory, New York); Oil; Uncle Vanya; Medea; Oresteia (also West End); Game; Mr Burns; Chimerica (also West End).

Theatre includes: Oedipus; Player Kings; Opening Night; A Little Life; The Shark is Broken; All About Eve (West End); Kyoto (RSC); Two Strangers (Carry A Cake Across New York) (Kiln Theatre/ West End); The Wife of Willesden (Kiln Theatre/ BAM, New York); Pass Over (Kiln Theatre); Harry Potter and the Cursed Child (West End/ Broadway); The Inheritance; A View from the Bridge (Young Vic/ West End/ Broadway); The Jungle (Young Vic/ West End/ St. Ann’s Warehouse, New York/ Curran Theater, San Francisco); Yerma (Young Vic/ Park Avenue Armory, New York).

Film includes: Hamlet; Why It’s Kicking Off Everywhere; The Exception; Departure.

Television includes: Together (BAFTA for Best Single Drama); The Trial; A Murder in the Family.

For the Almeida:

As Fight Director: A Moon for the Misbegotten; 1536 (also West End); Cat on a Hot Tin Roof.

As Associate Fight Director: The House of Shades; Hamlet (also Park Avenue Armory, New York).

Theatre includes:

As Fight Director: Macbeth; Deep Azure (Shakespeare’s Globe); Natasha, Pierre & The Great Comet of 1812; Fear of 13 (Donmar Warehouse); The Other Place; Coriolanus (National Theatre); The Spy Who Came In from The Cold (Soho Place); Paranormal Activity (West End); 101 Dalmatians; Tambo & Bones (UK tour); Gunpowder Plot (Tower of London); Candida (Orange Tree Theatre).

As Associate Fight Director: Stranger Things: The First Shadow; Les Misérables; Sister Act; The Phantom of the Opera (West End); Till the Stars Come Down (National Theatre); Heathers (The Other Palace Theatre); Edward II; Love’s Labour’s Lost (Shakespeare’s Globe); The Merry Wives of Windsor (RSC).

Film includes:

As performer: Bugonia; Bad Day at the Office; In the Grey; The Ministry of Ungentlemanly Warfare; Jackdaw; The Marvels.

Television includes:

As performer: Vikings: Bloodaxe; MobLand; Black Doves; Red Eye; Masters of the Air.

As Fight Coordinator: London Kills; The Pact; Pobol y Cwm; Hidden/Craith.

Games include:

As performer: Norse; The Elder Scrolls Online.

For the Almeida:

As Costume Supervisor: “Daddy” A Melodrama; The Wave (Young Company); (This Isn’t) A True Story (Young Company).

Theatre includes:

As Costume Supervisor: The Collaboration; The Second Woman; Nachtland; Beneatha’s Place (Young Vic); Kabul Goes Pop (Brixton House); We Started to Sing (Arcola Theatre); Othello (Shakespeare’s Globe); Hamlet (RSC); John Gabriel Borkman (Bridge Theatre); The Trials (Donmar Warehouse).

As Assistant Supervisor: Plenty (Chichester Festival Theatre); Hamlet (Young Vic); Ballet Shoes (National Theatre); Shucked (Regent’s Park Open Air Theatre).

As Associate Costume Designer: Macbeth (Wessex Grove); A Face in The Crowd (Young Vic).